Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art — John Shaqi
Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the ArtLoftie, W. J. (William John)
History
Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art
Loftie, W. J. (William John)
Illumination of books and manuscripts
It is almost impossible to erase pencil lines from vellum. The black
lead, uniting with the animal matter of the skin, can never be
properly got out--India rubber or bread only rubbing it into a greasy
smudge. It is, therefore, better to prepare a complete outline of the
design upon paper first, which can afterwards be transferred to the
strained sheet. For this purpose _tracing paper_ is required,
possessing this advantage, that corrections upon the sketch can be
made in tracing, and, in placing it upon the vellum, if the sheet has
been previously squared off for the work, its proper position can be
readily seen and determined. The tracing paper should be about one
inch larger each way, to allow of its being fastened to the mask over
the exposed surface of the page. A piece of _transfer paper_ of a
convenient size is then placed under the tracing. When the tracing is
fixed in its proper position by a touch of gum or paste at the upper
corners, slip the transfer paper, with the chalked side downwards,
between the vellum and the tracing, and tack down the bottom corners
of the tracing in the same way, to prevent shifting. Seated at a firm
table or desk of a convenient height, with the strained paper or
drawing board slightly on an incline, the amateur may consider all
ready for work. All the lines of the tracing are first to be gone over
with the tracing point, or a very hard pencil cut sharp will answer
the purpose. A corner may be raised occasionally to see that the
tracing is not being done too firmly or so faintly as to be almost
invisible. A piece of stout card should be kept under the hand while
tracing, to avoid marking the clean page with the prepared transfer
paper underneath, by undue pressure of the fingers.
For larger work, not requiring such nicety of detail, the sketch may
be transferred direct--especially if the paper is thin--without the
use of tracing paper, by merely chalking the back of the drawing, and
going over the lines with the tracing point; but the other method is
best, and the transfer paper may be used over and over again.
When the subject is carefully traced on the prepared page, and the
tracing and transfer paper removed, it will be best to begin with the
text. The experienced illuminator will generally, after arranging his
designs and spacing out his text, with the initial letters in their
proper places, transfer all to his vellum, and do the writing before
he begins coloring, covering up all the page except the portion he is
working upon. When the lettering is complete, it will in its turn be
covered, to prevent its being soiled while the border is being
painted.
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