The writing of the thirteenth century differs considerably from that of the two following centuries. It is not so stiff, but much more legible. The distinction will be apparent from a comparison of this Plate with those two which are copied from manuscripts at Lambeth (Plates IV. and IX.) Modern illuminators seem to have preferred the later style, but the advantages of the early should recommend it. The Chronicles written at St. Albans by and under the superintendence of Matthew Paris are all in this style. Facsimiles of several pages are given in the volumes published under the direction of the Master of the Rolls. The initial T on the previous page is from a beautiful Nuremberg treatise of 1489 on the "Preservation of Body, Soul, Honour, and Goods." On the back of Plate III. are two pages in outline from a small Book of Hours in the collection of Robert Young, Esq., Belfast. This kind of work is known as the "Ivy Pattern." It was exclusively practised in France in the fourteenth century. The coloring is usually of a very sober character: the prevailing colors being blue and gold only. [Illustration: HART, BADGE OF RICHARD II.] [Illustration: PLATE III.--EXAMPLES OF THIRTEENTH-CENTURY WORK.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.] DESCRIPTION OF PLATE IV. Our next Plate is from a manuscript in the Lambeth Library. Leave to copy it was readily granted to us by the lamented Archbishop Tait. It is No. 459 in the Library Catalogue, and contains no fewer than twenty miniatures, as well as borders like this one. It belongs like Plate IX. (the Frontispiece) to the English flower pattern style of the fifteenth century, and is remarkable for the sober effect of the gorgeous colors employed, and for the delicacy of the scroll-work in black. A great deal of this effect is due to the application of gold. The illuminators employed both what we call "shell gold" and leaf. They attached the greatest importance to skill in gilding, and the result is that their "raising" survives after centuries, when that executed at the present day often cracks off after a few weeks or months, if not very carefully handled. Many books, containing the secret of making these preparations, and sizes of all kinds, are in existence; and show that while the same end was attained by many different kinds of processes, one ingredient was never omitted, namely, great care and pains, and the gradual gathering of skill through experience.