Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art — John Shaqi
Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the ArtLoftie, W. J. (William John)
History
Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art
Loftie, W. J. (William John)
Illumination of books and manuscripts
The lady seated (1) holds in either hand the arms of the Duke of
Burgundy, slightly varied as to quarterings. The picture is taken from
the famous "Bedford Missal" in the British Museum, which is not a
missal at all, but a Book of Hours, illuminated in France for the Duke
of Bedford, one of the brothers of Henry V. It therefore belongs to
the fifteenth century. The lady is sitting on what in heraldry is
called "a mount vert," which in turn is supported by the little half
architectural scroll-work below; her dress is purple, shaded with
grey, in opaque color; the arms are painted in Prussian Blue and
Vermilion, the gold being shell.
The gentleman to the right (2) is Sir Nele Loring, a Knight of the
Garter. Some time in the fourteenth century a monk of St. Albans,
Thomas Walsingham, compiled a list of the benefactors of the abbey,
and as far as possible presented his readers with a portrait of each.
They are rather rough but eminently picturesque. The book is
particularly interesting from the curious particulars it gives us as
to the expenses of the illuminator. One Alan Strayler, it tells us,
"worked much upon this book," and the editor or compiler ran up a debt
with him of the comparatively large sum of three shillings and
fourpence, equal to at least £3, 10_s._ 0_d._ of our money, for the
colors he had used. The book came into the possession of the great
Lord Verulam, better known as Lord Chancellor Bacon, and by him it was
given to Sir Robert Cotton, who collected the Cottonian MSS. It is
known in the British Museum as "Nero D. vii." from its place in the
book-case of Sir Robert Cotton which bore the effigy of that Cæsar.
Sir Nele, or Nigel, Loring died in 1386, having given the abbey many
gifts, and as he was K.G. he is represented in a white robe diapered
with "garters."
Our next picture (3) is from a very curious and beautiful, but much
injured manuscript, reckoned the number ii. in the collection at
Heralds' College. By the kindness of "Somerset Herald" we are allowed
to copy it. The book is a list of banners used probably at a
tournament in the reign of Henry VIII. Heraldry became more or less
the kind of "science" it still is under the last of the Plantagenet
kings, and was kept up in great glory by their successors, the first
two Tudors. The banner here given is that of Henry Stafford, who was
made Earl of Wiltshire in 1509. It shows the swan, the crest of the
Staffords, with a crown round its neck and a chain, and the ground,
partly black and partly red, the colors of the family, is powdered
with "Stafford knots," their badge. Across, in diagonal lines, is the
motto "D'Umble et Loyal." These banners, which might well be imitated
in modern illumination, are made up of livery colors, with crests and
badges, and are usually accompanied by the coat of arms of the person
to whom each belonged.
Public-domain text, read in full here on John Shaqi.
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