Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the ArtLoftie, W. J. (William John)
History
Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art
Loftie, W. J. (William John)
Illumination of books and manuscripts
No book on this subject would be complete without something more than
a passing reference to the earliest of all the fashions in
illumination which have prevailed in our islands. This Plate gives
some examples from the very curious manuscript in the Library of
Trinity College, Dublin, known as the "Book of Kells." This venerable
volume contains the four Gospels in Latin, and, it is sometimes
asserted, dates from the seventh century, but more probably belongs to
the ninth. The late Sir M. D. Wyatt says of it: "Of this very book Mr.
Westwood examined the pages, as I did, for hours together, without
ever detecting a false line, or an irregular interlacement. In one
space of about a quarter of an inch superficial, he counted, with a
magnifying glass, no less than one hundred and fifty-eight
interlacements, of a slender ribbon pattern, formed of white lines,
edged by black ones, upon a black ground. No wonder that tradition
should allege that these unerring lines should have been traced by
angels."
The examples before us are purposely taken from a less complicated
page, but will be found sufficient to try the skill and patience of
even the most painstaking student. The colors are rather more vivid
than in the original, which has now greatly faded through age and
ill-usage. There is little to be said as to the beauty of the design.
Grotesques have an attraction in spite of their ugliness: but we can
hardly expect the most enthusiastic admirer of antiquity to imitate
these extraordinary complications of form and color, except as an
exercise of skill and patience. In one respect, however, early
manuscripts and especially manuscripts of this class, are well worthy
of imitation. The writing is very clear and distinct. It is easier to
read a charter of the seventh or the eighth century than one of the
seventeenth. Illuminators might do worse than learn the old Irish
alphabet, if only on this account.
Public-domain text, read in full here on John Shaqi.
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