Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the ArtLoftie, W. J. (William John)
History
Lessons in the Art of Illuminating: A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art
Loftie, W. J. (William John)
Illumination of books and manuscripts
With regard to the writing, it will be observed that a great change in
the form of the letters has taken place since the thirteenth century.
The difference between u and n is often hardly perceptible, and has
led to many curious mistakes. Nevertheless, if the student is careful
about such particulars, this is a very beautiful style, and admirably
suited for modern requirements. The colors used by the artist who
copied this page were as follows:--for the blue, Prussian, lined and
dotted with Chinese White; for the pink, Lake and Chinese White,
shaded with the same color darker; the deepest shadows are Lake; for
the orange, pale Indian Yellow for the lights, shaded with Burnt
Sienna, and Lake for the deepest shadows.
In some books illuminated in this style the centre of the letter is
occupied with a scene containing figures, and occasionally a picture
extends across the page, the initial fitting close up to it. The
picture, in this case, is always surrounded with a double line or
framework of blue, or red, and gold; and the color has a delicate
white line on it, and occasionally gives out a branch which, crossing
the gold line, bursts into flower in the margin. This style was
largely used for official documents for a long period, and many
excellent facsimiles representing examples are to be found as
frontispieces to the volumes of the Roll Series. It lasted with more
or less modification until the reign of Charles I.
* * * * *
VERE FOSTER'S WATER-COLOR BOOKS.
"We can strongly recommend these volumes to young students of
drawing."--_The Times_, Dec. 27, 1884.
PAINTING FOR BEGINNERS.--First Stage.
Teaching the use of One Color. Ten Facsimiles of Original Studies in
Sepia, by J. CALLOW, and numerous Illustrations in Pencil. With full
instructions in easy language. In Three Parts, 4to, 6_d each; or one
volume, cloth elegant, 2_s._ 6_d._
PAINTING FOR BEGINNERS.--Second Stage.
Teaching the use of Seven Colors. Twenty Facsimiles of Original
Drawings by J. CALLOW, and many Illustrations in Pencil. With full
instructions in easy language. In Six Parts 4to, 6_d._ each; or one
volume, cloth elegant, 4_s._
SIMPLE LESSONS IN FLOWER PAINTING.
Eight Facsimiles of Original Water-Color Drawings, and numerous
Outline Drawings of Flowers. With full instructions for Drawing and
Painting. In Four Parts 4to, 6_d._ each; or one volume, cloth elegant,
3_s._
"Everything necessary for acquiring the art of flower painting is
here; the _facsimiles_ of water-color are very beautiful."--_Graphic._
SIMPLE LESSONS IN MARINE PAINTING.
Twelve Facsimiles of Original Water-Color Sketches. By EDWARD DUNCAN.
With numerous Illustrations in Pencil, and Practical Lessons by an
experienced Master. In Four Parts, 4to, 6_d._ each; or one volume,
cloth elegant, 3_s._
"Must prove of great value to students. Nothing could be prettier or
more charming than these sketches."--_Graphic._
SIMPLE LESSONS IN LANDSCAPE PAINTING.
Public-domain text, read in full here on John Shaqi.
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