"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
It was a typical holiday matinee crowd, composed mostly of women and
children, with here and there a few men. The production was the gorgeous
scenic extravaganza "_Mr. Bluebeard_," with which the handsome new theater
had been opened not a month before. "Don't fail to have the children see
'_Mr. Bluebeard_,'" was the advertisement spread broadcast throughout the
city, and the children were there in force when the scorching sheet of
flame leaped from the stage into the balcony and gallery where a thousand
were packed.
The building had been heralded abroad as a "fireproof structure," with
more than enough exits. Ushers and five men in city uniform were in the
aisles. All was apparently safety, mirth and good cheer.
Then came the transformation scene!
The auditorium and the stage were darkened for the popular song "The Pale
Moonlight." Eight dashing chorus girls and eight stalwart men in showy
costume strolled through the measures of the piece, bathed in a flood of
dazzling light. Up in the scenes a stage electrician was directing the
"spot-light" which threw the pale moonlight effect on the stage.
Suddenly there was a startled cry. Far overhead where the "spot" was
shooting forth its brilliant ray of concentrated light a tiny serpentine
tongue of flame crept over the inside of the proscenium drape. It was an
insignificant thing, yet the horrible possibilities it entailed flashed
over all in an instant. A spark from the light had communicated to the
rough edge of the heavy cloth drape. Like a flash it stole across the
proscenium and high up into the gridiron above.
Accustomed as they were to insignificant fire scares and trying ordeals
that are seldom the lot of those who lead a less strenuous life, the
people of the stage hurried silently to the task of stamping out the
blaze. In the orchestra pit it could readily be seen that something was
radically wrong, but the trained musicians played on.
Members of the octette cast their eyes above and saw the tiny tongue of
flame growing into a whirling maelstrom of fire. But it was a sight they
had seen before. Surely something would happen to extinguish it. America's
newest and most modern fireproof playhouse was not going to disappear
before an insignificant fire in the rigging loft. So they continued to
sway in sinuous steps to the rhythm of the throbbing orchestra. Their
presence stilled the nervousness of the vast audience, which knew that
something was wrong, but had no means of realizing what that something
was.
So the gorgeously attired men and dashing, voluptuous young women danced
on. The throng feasted its eyes on the moving scene of life and color,
little knowing that for them it was the last dance--the dance of death!
Public-domain text, read in full here on John Shaqi.
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