"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
In the rear an alley strewn with mangled men, women and children writhing
in agony on the icy pavement, or relieved of their sufferings by death,
lent eloquent corroboration to the solution of the problem.
It was in the rear that the true horror of the fire was most fully
disclosed. There no towering mosaic studded walls or kindly mantle of
smoke shut out the horrid sight. From its opening scene to its silent,
ghastly denouement the successive details of this greatest of modern
tragedies was forced upon the view to be stamped upon the memory of the
unwilling beholder with an impressiveness that only death will blot out.
After the first great impact had hurled the overflow of the fire-escape
gallery into the alley yawning far below, the crush of humanity swept
onward, downward to where safety beckoned. When the advance guard had all
but reached the precious goal, with only a few feet of iron gallery and
one more stairway to traverse, the crowning horror of the day unfolded
itself. Right in the path of the advancing horde a steel window shutter
flew back, impelled by the terrific energy of an immeasurable volume of
pent up superheated air.
The clang of the steel shutter swinging back on its hinges against the
brick wall sounded the death knell of another host of victims, for in its
wake came a huge tongue of lurid flame, leaping on high in the ecstasy of
release from its stifling furnace. Fiercely in the faces of the refugees
beat this agency of death. Before its withering blast the victims fell
like prairie grass before an autumn blaze. Those further back waited for
no more, but precipitated themselves headlong into the alley rather than
face the fiery furnace that loomed up barring the way to hope.
It would be well to draw the curtain upon this awful scene of suffering
and death in the gloomy alley were it not for one circumstance that stands
forth a glorious example of the heights that may be attained by the modest
hero who moves about unsuspected in his daily life until calamity affords
opportunity to show the stuff he is made of. High up in the building
occupied by the law, dental and pharmacy schools of the Northwestern
University, directly across the alley from the burning theater, a number
of such men were at work. They were horny handed sons of toil--painters,
paper hangers and cleaners repairing minor damage caused by an
insignificant fire in the university building a few weeks before. One
glance at the seething vortex of death below transformed them into heroes
whose deeds would put many a man to shame whose memory is kept alive by
stately column or flattering memorial tablet.
Public-domain text, read in full here on John Shaqi.
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