"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
"We must take these bodies out of the way to get down to those who are
alive," replied the chief. "This man here is dead; lay hold, now, boys,
and pull him out."
Two big firemen caught the body by the shoulders and struggled and pulled
until they had it free. Then another body was taken out, and then again
the workers seemed unable to unloose the dead. Again came that terrible
moan through the mass.
"For God's sake, get down to that one who's alive," implored O'Neill,
almost in despair.
The policemen pulled off their heavy overcoats and worked frantically at
the heap. Often a body could not be moved except when the firemen and
police dragged with a "yo, heave," like sailors hauling on a rope. As fast
as the bodies were freed one policeman, or sometimes two or three, would
stagger down the stairs with their burdens.
Over the heap of bodies crawled a fireman carrying something in his arms.
"Out of the way, men, let me out! The kid's alive."
The workers fell back and the fireman crawled over the heap and was helped
out. He ran down the stairs three steps at a time to get the child to a
place where help might be given before it was too late. Then other firemen
from inside the theater passed out more bodies, which were handed from one
policeman to another until some on the outside of the heap could take the
dead and carry them downstairs.
Suddenly a policeman pulling at the heap gave a shout.
"I've got her, chief!" he said. "She's alive, all right!"
"Easy there, men, easy," cried Schuettler; "but hurry and get that woman
to a doctor!"
A girl, apparently 18 years old, was moaning faintly. The policeman
released her from the tangled heap, and a big fireman, lifting her
tenderly in his arms, hurried with her to the outside of the building.
"There must be more alive," said the chief. "Work hard, boys."
There was hardly any need to ask the men to work harder, for they were
pulling and hauling as though their own lives depended on their efforts.
Everybody worked.
The reporters, the only ones in the theater besides the police and
firemen, laid aside their pencils and note books and struggled down the
wet, slippery stairs, carrying the dead. Newspaper artists threw their
sketch books on the floor to jump forward and pick up the feet or head of
a body that a fireman or policeman found too heavy to carry alone.
Constantly now a stream of workers was passing slowly down the stairs.
Usually two men supported each body, but often some giant policeman or
fireman strode along with a body swung over his shoulders. Coming down the
stairs was a fireman with a girl of 16 clasped in his arms.
"Isn't that girl alive?" asked the chief.
"No," shouted two or three men, who had jumped to see. "She's dead, poor
thing, rest her soul," said the fireman reverently, and then he picked his
way down the stairs. Half-way down the marble steps two arms suddenly
clasped the fireman's neck.
Public-domain text, read in full here on John Shaqi.
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