"Lest We Forget": Chicago's Awful Theater Horror — John Shaqi
"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
"I stepped out of the theater for a minute, and when I got back I saw the
people rushing out and knew the stage was on fire. I helped some of the
girls out of the rear entrance. With but one or two exceptions all left in
stage costume.
"One young woman in the chorus, Miss McDonald, displayed unusual coolness.
She remained in her dressing room and donned her entire street costume,
and also carried out as much of her stage clothing as she could carry."
Quite a number of the chorus girls live in Chicago, and Mr. Price
furnished cabs and sent them all to their homes.
Through some mistake it was reported that Miss Anabel Whitford, the fairy
queen of the company, was dying at one of the hospitals. She was not even
injured, having safely made her way out through the stage door.
Miss Nellie Reed, the principal of the flying ballet, which was in place
for its appearance near the top part of the stage, was so badly burned by
the flames before she was able to escape that she afterward died at the
county hospital. The other members of the flying ballet were not injured.
Robert Evans, one of the principals of the Bluebeard company, was in his
dressing room on the fourth floor. He dived through a mass of flame and
landed three stairways below. He helped a number of chorus girls to escape
through the lower basement. His hands and face are burned severely. He
lost all his wardrobe and personal effects.
STORY OF HOW A SMALL BLAZE TERMINATED IN TERRIBLE LOSS.
The fire started while the double octet was singing "In the Pale
Moonlight." Eddie Foy, off the stage, was making up for his "elephant"
specialty.
On the audience's left--the stage right--a line of fire flashed straight
up. It was followed by a noise as of an explosion. According to nearly all
accounts, however, there was no real explosion, the sound being that of
the fuse of the "spot" light, the light which is turned on a pivot to
follow and illuminate the progress of the star across the stage.
This light caused the fire. On this all reports of the stage folk agree.
As to manner, accounts differ widely. R. M. Cummings, the boy in charge of
the light, said that it was short circuited.
Stage hands, as they fled from the scene, however, were heard to question
one another, "Who kicked over the light?" The light belonged to the
"Bluebeard" company.
The beginning of the disaster was leisurely. The stage hands had been
fighting the line of wavering flame along the muslin fly border for some
seconds before the audience knew anything was the matter.
The fly border, made of muslin and saturated with paint, was tinder to the
flames.
The stage hands grasped the long sticks used in their work. They forgot
the hand grenades that are supposed to be on every stage.
"Hit it with the sticks!" was the cry. "Beat it out!" "Beat it out!"
The men struck savagely. A few yards of the border fell upon the stage and
was stamped to charred fragments.
Public-domain text, read in full here on John Shaqi.
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