7. But the solitude of nature is not so essential as solitude of habit.
I have found my advantage in going in summer to a country inn, in winter
to a city hotel, with a task which would not prosper at home. I thus
secured a more absolute seclusion; for it is almost impossible for a
housekeeper, who is in the country a small farmer, to exclude
interruptions, and even necessary orders, though I bar out by system all
I can, and resolutely omit, to my constant damage, all that can be
omitted. At home, the day is cut into short strips. In the hotel, I have
no hours to keep, no visits to make or receive, and I command an
astronomic leisure. I forget rain, wind, cold, and heat. At home, I
remember in my library the wants of the farm, and have all too much
sympathy. I envy the abstraction of some scholars I have known, who
could sit on a curbstone in State Street, put up their back, and solve
their problem. I have more womanly eyes. All the conditions must be
right for my success, slight as that is. What untunes is as bad as what
cripples or stuns me. Novelty, surprise, change of scene, refresh the
artist,--"break up the tiresome old roof of heaven into new forms," as
Hafiz said. The sea-shore, and the taste of two metals in contact, and
our enlarged powers in the presence, or rather at the approach and at
the departure of a friend, and the mixture of lie in truth, and the
experience of poetic creativeness which is not found in staying at home,
nor yet in travelling, but in transitions from one to the other, which
must therefore be adroitly managed to present as much transitional
surface as possible,--these are the types or conditions of this power.
"A ride near the sea, a sail near the shore," said the ancient. So
Montaigne travelled with his books, but did not read in them. "_La
Nature aime les croisements_," says Fourier.
I know there is room for whims here; but in regard to some apparent
trifles there is great agreement as to their annoyance. And the machine
with which we are dealing is of such an inconceivable delicacy that
whims also must be respected. Fire must lend its aid. We not only want
time, but warm time. George Sand says, "I have no enthusiasm for nature
which the slightest chill will not instantly destroy." And I remember
that Thoreau, with his robust will, yet found certain trifles disturbing
the delicacy of that health which composition exacted,--namely, the
slightest irregularity, even to the drinking too much water on the
preceding day. Even a steel pen is a nuisance to some writers. Some of
us may remember, years ago, in the English journals, the petition,
signed by Carlyle, Browning, Tennyson, Dickens, and other writers in
London, against the license of the organ-grinders, who infested the
streets near their houses, to levy on them blackmail.
Public-domain text, read in full here on John Shaqi.
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