Certain localities, as mountain-tops, the sea-side, the shores of rivers
and rapid brooks, natural parks of oak and pine, where the ground is
smooth and unencumbered, are excitants of the muse. Every artist knows
well some favorite retirement. And yet the experience of some good
artists has taught them to prefer the smallest and plainest chamber,
with one chair and table, and with no outlook, to these picturesque
liberties. William Blake said, "Natural objects always did and do
weaken, deaden, and obliterate imagination in me." And Sir Joshua
Reynolds had no pleasure in Richmond; he used to say "the human face was
his landscape." These indulgences are to be used with great caution.
Allston rarely left his studio by day. An old friend took him, one fine
afternoon, a spacious circuit into the country, and he painted two or
three pictures as the fruits of that drive. But he made it a rule not to
go to the city on two consecutive days. One was rest; more was lost
time. The times of force must be well husbanded, and the wise student
will remember the prudence of Sir Tristram in _Morte d'Arthur_, who,
having received from the fairy an enchantment of six hours of growing
strength every day, took care to fight in the hours when his strength
increased; since from noon to night his strength abated. What prudence,
again, does every artist, every scholar, need in the security of his
easel or his desk! These must be remote from the work of the house, and
from all knowledge of the feet that come and go therein. Allston, it is
said, had two or three rooms in different parts of Boston, where he
could not be found. For the delicate muses lose their head, if their
attention is once diverted. Perhaps if you were successful abroad in
talking and dealing with men, you would not come back to your book-shelf
and your task. When the spirit chooses you for its scribe to publish
some commandment, it makes you odious to men, and men odious to you, and
you shall accept that loathsomeness with joy. The moth must fly to the
lamp, and you must solve those questions though you die.
Public-domain text, read in full here on John Shaqi.
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