For the artist of whom we are now reading, such intuitions and such visions were the delight of long months in the trenches. Under the free sky, in contact with the earth, in face of the peril and the sight of death, life seemed to him to take a sudden and strange expansion. 'From our life in the open air we have gained a freedom of conception, an amplitude of thought, which will for ever make cities horrible to those who survive the war.' Death itself had become a more beautiful and a more simple thing; the death of soldiers on whose dumb shapes he looked with pious eyes, as Nature took them back into her maternal care and mingled them with her earth. Day by day he lived in the thought of eternity. True, he kept a feeling heart for all the horror, and compassion for all the pain; as to his duty, the reader will know how he did that. But, suffering 'all the same,' he took refuge in 'the higher consolations.' 'We must,' he writes to those who love him and whom he labours--with what constant solicitude!--to prepare for the worst, 'we must attain to this--that no catastrophe whatsoever shall have power to cripple our lives, to interrupt them, to set them out of tune. . . . Be happy in this great assurance that I give you--that up till now I have raised my soul to a height where events have had no empire over it.' These are heights upon which, beyond the differences of their teachings and their creeds, all great religious intuitions meet together; upon which illusions are no more, and the soul rejects the pretensions of self, in order to accept what _is_. 'Our sufferings come from our small human patience taking the same direction as our desires, noble though they may be. . . . Do not dwell upon the personality of those who pass away and of those who are left; such things are weighed only in the scales of men. We should gauge in ourselves the enormous value of what is better and greater than humanity.' In truth, death is impotent because it too is illusory, and 'nothing is ever lost.' So this young Frenchman, who has yet never forgone the language of his Christianity, rediscovers amid the terrors of war the stoicism of Marcus Aurelius--that virtue which is 'neither patience nor too great confidence, but a certain faith in the order of all things, a certain power of saying of each trial, "It is well."' And, even beyond stoicism, it is the sublime and antique thought of India that he makes his own, the thought that denies appearances and differences, that reveals to man his separate self and the universe, and teaches him to say of the one, 'I am not _this_,' and of the other, '_that_, I am.' Wonderful encounter of thoughts across the distance of ages and the distance of races! The meditation of this young French soldier, in face of the enemy who is to attack on the morrow, resumes the strange ecstasy in which was rapt the warrior of the _Bhagavad Gita_ between two armies coming to the grapple.