The Academy of the Fine Arts has had its exhibition since I arrived. In its rooms, which were gratuitously open to the public, I found a large crowd of gazers at the pictures and statues. Many had come to look at some work ordered by an acquaintance; others made the place a morning lounge. In the collection were some landscapes by Morghen, the son of the celebrated engraver, very fresh and clear; a few pieces sent by Bezzoli, one of the most eminent Italian painters of his time; a statue of Galileo, not without merit, by Costoli, for there is always a Galileo or two, I believe, at every exhibition of the kind in Florence; portraits good, bad, and indifferent, in great abundance, and many square feet of canvas spoiled by attempts at historical painting. Let me remark, by the way, that a work of art is a sacred thing in the eyes of Italians of all classes, never to be defaced, never to be touched, a thing to be looked at merely. A statue may stand for ages in a public square, within the reach of any one who passes, and with no sentinel to guard it, and yet it shall not only be safe from mutilation, but the surface of the marble shall never be scratched, or even irreverently scored with a lead pencil. So general is this reverence for art, that the most perfect confidence is reposed in it. I remember that in Paris, as I was looking at a colossal plaster cast of Napoleon at the Hotel des Invalides, a fellow armed with a musket who stood by it bolt upright, in the stiff attitude to which the soldier is drilled, gruffly reminded me that I was too near, though I was not within four feet of it. In Florence it is taken for granted that you will do no mischief, and therefore you are not watched. Letter IV. A Day in Florence. Pisa, _December_ 11, 1834. It is gratifying to be able to communicate a piece of political intelligence from so quiet a nook of the world as this. Don Miguel arrived here the other day from Genoa, where you know there was a story that he and the Duchess of Berri, a hopeful couple, were laying their heads together. He went to pay his respects to the Grand Duke of Tuscany, who is now at Pisa, and it was said by the gossips of the place that he was coldly received, and was given to understand that he could not be allowed to remain in the Tuscan territory. There was probably nothing in all this. Don Miguel has now departed for Rome, and the talk of to-day is that he will return before the end of the winter. He is doubtless wandering about to observe in what manner he is received at the petty courts which are influenced by the Austrian policy, and in the mean time lying in wait for some favorable opportunity of renewing his pretensions to the crown of Spain.