as they looked at her, and said that she was the first actress in Russia to-day; but at the first performance she was affected by the general attitude of hostility to my “Seagull,” and was, as it were, intimidated by it and lost her voice. Our press takes a cold tone to her that doesn’t do justice to her merits, and I am sorry for her. Allow me to thank you with all my heart for your letter. Believe me, I value the feelings that prompted you to write it far more than I can express in words, and the sympathy you call “unnecessary” at the end of your letter I shall never never forget, whatever happens. TO V. I. NEMIROVITCH-DANTCHENKO. MELIHOVO, November 26, 1896. DEAR FRIEND, I am answering the chief substance of your letter--the question why we so rarely talk of serious subjects. When people are silent, it is because they have nothing to talk about or because they are ill at ease. What is there to talk about? We have no politics, we have neither public life nor club life, nor even a life of the streets; our civic existence is poor, monotonous, burdensome, and uninteresting--and to talk is as boring as corresponding with L. You say that we are literary men, and that of itself makes our life a rich one. Is that so? We are stuck in our profession up to our ears, it has gradually isolated us from the external world, and the upshot of it is that we have little free time, little money, few books, we read little and reluctantly, we hear little, we rarely go anywhere. Should we talk about literature? ... But we have talked about it already. Every year it’s the same thing again and again, and all we usually say about literature may be reduced to discussing who write better, and who write worse. Conversations upon wider and more general topics never catch on, because when you have tundras and Esquimaux all round you, general ideas, being so inappropriate to the reality, quickly lose shape and slip away like thoughts of eternal bliss. Should we talk of personal life? Yes, that may sometimes be interesting and we might perhaps talk about it; but there again we are constrained, we are reserved and insincere: we are restrained by an instinct of self-preservation and we are afraid. We are afraid of being overheard by some uncultured Esquimaux who does not like us, and whom we don’t like either. I personally am afraid that my acquaintance, N., whose cleverness attracts us, will hold forth with raised finger, in every railway carriage and every house about me, settling the question why I became so intimate with X. while I was beloved by Z. I am afraid of our morals, I am afraid of our ladies.... In short, for our silence, for the frivolity and dulness of our conversations, don’t blame yourself or me, blame what the critics call “the age,” blame the climate, the vast distances, what you will, and let circumstances go on their own fateful, relentless course, hoping for a better future. TO A. S. SUVORIN. MELIHOVO, January 11, 1897.