Moved by a thoroughly insular instinct, the Englishman took up a piece of plaster and heaved it from the palace wall into the dark streets below. It bounded from a house-top to a window-ledge, and thence into a little square, and the sound of its fall was hollow and echoing, as the sound of a stone in a well. Then the silence closed up upon the sound, till in the far away courtyard below the roped stallions began screaming afresh. There may be desolation in the great Indian Desert to the westward, and there is desolation upon the open seas; but the desolation of Amber is beyond the loneliness either of land or sea. Men by the hundred thousand must have toiled at the walls that bound it, the temples and bastions that stud the walls, the fort that overlooks all, the canals that once lifted water to the palace, and the garden in the lake of the valley. Renan could describe it as it stands to-day, and Vereschagin could paint it. Arrived at this satisfactory conclusion, the Englishman went down through the palace and the scores of venomous and suggestive little rooms to the elephant in the courtyard and was taken back in due time to the Nineteenth Century in the shape of His Highness the Maharaja’s Cotton Press, returning a profit of 27 per cent., and fitted with two engines of fifty horsepower each, an hydraulic press capable of exerting a pressure of three tons per square inch, and everything else to correspond. It stood under a neat corrugated iron roof close to the Jeypore Railway Station, and was in most perfect order, but somehow it did not taste well after Amber. There was aggressiveness about the engines and the smell of the raw cotton. The modern side of Jeypore must not be mixed with the ancient. IV. _The Temple of Mahadeo and the Manners of such as see India--The Man by the Water-Troughs and his Knowledge--The Voice of the City and what it said--Personalities and the Hospital--The House Beautiful of Jeypore and its Builders._