But the Englishman went first to the Hospital, and found the out-patients beginning to arrive. A hospital cannot tell lies about its own progress as a municipality can. Sick folk either come or lie in their own villages. In the case of the Mayo Hospital they came, and the operation-book showed that they had been in the habit of coming. Doctors at issue with provincial and local administrations, Civil Surgeons who cannot get their indents complied with, ground-down and mutinous practitioners all India over, would do well to visit the Mayo Hospital, Jeypore. They might, in the exceeding bitterness of their envy, be able to point out some defects in its supplies, or its beds, or its splints, or in the absolute isolation of the women’s quarters from the men’s. Envy is a low and degrading passion, and should be striven against. From the Hospital the Englishman went to the Museum in the centre of the Gardens, and was eaten up by it, for Museums appealed to him. The casing of the jewel was in the first place superb--a wonder of carven white stone of the Indo-Saracenic style. It stood on a stone plinth, and was rich in stone-tracery, green marble columns from Ajmir, red marble, white marble colonnades, courts with fountains, richly-carved wooden doors, frescoes, inlay and colour. The ornamentation of the tombs of Delhi, the palaces of Agra and the walls of Amber, have been laid under contribution to supply the designs in bracket, arch, and soffit; and stone-masons from the Jeypore School of Art have woven into the work the best that their hands could produce. The building in essence, if not in the fact of to-day, is the work of Freemasons. The men were allowed a certain scope in their choice of detail and the result ... but it should be seen to be understood, as it stands in those Imperial Gardens. And observe, the man who had designed it, who had superintended its erection, had said no word to indicate that there was such a thing in the place, or that every foot of it, from the domes of the roof to the cool green chunam dadoes and the carving of the rims of the fountains in the courtyard, was worth studying! Round the arches of the great centre court are written in Sanskrit and Hindi, texts from the great Hindu writers of old, bearing on the beauty of wisdom and the sanctity of knowledge. In the central corridor are six great frescoes, each about nine feet by five, copies of illustrations in the Royal Folio of the _Razmnameh_, the _Mahabharata_, which Akbar caused to be done by the best artists of his day. The original is in the Museum, and he who can steal it, will find a purchaser at any price up to fifty thousand pounds. V. _Of the Sordidness of the Supreme Government on the Revenue Side; and of the Palace of Jeypore--A great King’s Pleasure-House, and the Work of the Servants of State._