The mutter of water under a boat’s nose was a pleasant thing to hear
once more. Starting at the head of the lake, he found himself shut out
from sight of the main sheet of water in a loch bounded by a sunk,
broken bund to steer across which was a matter of some nicety. Beyond
that lay a second pool spanned by a narrow-arched bridge built, men
said, long before the City of the Rising Sun, which is little more than
three hundred years old. The bridge connects the City with Brahmapura--a
white-walled enclosure filled with many Brahmins and ringing
[Illustration: Page 77--“As a picture, a daringly insolent picture, it
would have been superb.”]
with the noise of their conches. Beyond the bridge, the body of the
lake, with the City running down to it, comes into full view; and
Providence has arranged for the benefit of such as delight in colours,
that the Rajputni shall wear the most striking tints that she can buy in
the bazaars, in order that she may beautify the ghats where she comes to
bathe.
The bathing-ledge at the foot of the City wall was lighted with women
clad in raw vermilion, dull red, indigo and sky-blue, saffron and pink
and turquoise; the water faithfully doubling everything. But the first
impression was of the unreality of the sight, for the Englishman found
himself thinking of the Simla Fine Arts Exhibition and the overdaring
amateurs who had striven to reproduce scenes such as these. Then a woman
rose up, and clasping her hands behind her head, looked at the passing
boat, and the ripples spread out from her waist, in blinding white
silver, far across the water. As a picture, a daringly insolent picture,
it would have been superb.
Public-domain text, read in full here on John Shaqi.
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