Letters of the Right Honourable Lady M—y W—y M—e: Written during Her Travels in Europe, Asia and Africa to Persons of Distinction, Men of Letters, &c. in Different Parts of EuropeMontagu, Mary Wortley, Lady
History
Letters of the Right Honourable Lady M—y W—y M—e: Written during Her Travels in Europe, Asia and Africa to Persons of Distinction, Men of Letters, &c. in Different Parts of Europe
Montagu, Mary Wortley, Lady
Authors, English -- 18th century -- Correspondence; British -- Foreign countries -- History -- 18th century; Diplomats' spouses -- Great Britain -- Correspondence; Montagu, Mary Wortley, Lady 1689-1762 -- Correspondence; Turkey -- Description and travel -- Early works to 1800; Voyages and travels --
PERHAPS you'll laugh at me for thanking you very gravely for all the
obliging concern you express for me. 'Tis certain that I may, if I
please, take the fine things you say to me for wit and raillery; and,
it may be, it would be taking them right. But I never, in my life,
was half so well disposed to take you in earnest as I am at present;
and that distance which makes the continuation of your friendship
improbable, has very much increased my faith in it. I find that I
have, (as well as the rest of my sex) whatever face I set on't, a
strong disposition to believe in miracles. Don't fancy, however,
that I am infected by the air of these popish countries; I have,
indeed, so far wandered from the discipline of the church of England,
as to have been last Sunday at the opera, which was performed in the
garden of the Favorita; and I was so much pleased with it, I have not
yet repented my seeing it. Nothing of that kind ever was more
magnificent; and I can easily believe what I am told, that the
decorations and habits cost the emperor thirty thousand pounds
Sterling. The stage was built over a very large canal, and, at the
beginning of the second act, divided into two parts, discovering the
water, on which there immediately came, from different parts, two
fleets of little gilded vessels, that gave the representation of a
naval fight. It is not easy to imagine the beauty of this scene,
which I took particular notice of. But all the rest were perfectly
fine in their kind. The story of the opera is the enchantment of
Alcina, which gives opportunities for great variety of machines, and
changes of the scenes, which are performed with a surprising
swiftness. The theatre is so large, that it is hard to carry the eye
to the end of it, and the habits in the utmost magnificence, to the
number of one hundred and eight. No house could hold such large
decorations: but the ladies all sitting in the open air, exposes them
to great inconveniences; for there is but one canopy for the imperial
family; and the first night it was represented, a shower of rain
happening, the opera was broke off, and the company crowded away in
such confusion, that I was almost squeezed to death.--But if their
operas are thus delightful, their comedies are in as high a degree
ridiculous. They have but one play-house, where I had the curiosity
to go to a German comedy, and was very glad it happened to be the
story of Amphitrion (sic). As that subject has been already handled
by a Latin, French, and English poet, I was curious to see what an
Austrian author would make of it. I understand enough of that
language to comprehend the greatest part of it; and besides, I took
with me a lady, that had the goodness to explain to me every word.
The way is, to take a box, which holds four, for yourself and
company. The fixed price is a gold ducat. I thought the house very
low and dark; but I confess, the comedy admirably recompensed that
defect. I never laughed so much in my life.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account