Epistolary fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Married women -- Fiction
WHAT! To be married so soon. But this is unheard of. At the end of a
month you become engaged to a man who is a stranger to you, and about
whom you know nothing. The man may be deaf--there are so many kinds of
deafness!--he may be sickly, tiresome, insufferable!
Don't you see, Renee, what they want with you? You are needful for
carrying on the glorious stock of the l'Estorades, that is all. You will
be buried in the provinces. Are these the promises we made each other?
Were I you, I would sooner set off to the Hyeres islands in a caique,
on the chance of being captured by an Algerian corsair and sold to the
Grand Turk. Then I should be a Sultana some day, and wouldn't I make a
stir in the harem while I was young--yes, and afterwards too!
You are leaving one convent to enter another. I know you; you are a
coward, and you will submit to the yoke of family life with a lamblike
docility. But I am here to direct you; you must come to Paris. There
we shall drive the men wild and hold a court like queens. Your husband,
sweetheart, in three years from now may become a member of the Chamber.
I know all about members now, and I will explain it to you. You will
work that machine very well; you can live in Paris, and become there
what my mother calls a woman of fashion. Oh! you needn't suppose I will
leave you in your grange!
Monday.
For a whole fortnight now, my dear, I have been living the life of
society; one evening at the Italiens, another at the Grand Opera, and
always a ball afterwards. Ah! society is a witching world. The music of
the Opera enchants me; and whilst my soul is plunged in divine pleasure,
I am the centre of admiration and the focus of all the opera-glasses.
But a single glance will make the boldest youth drop his eyes.
I have seen some charming young men there; all the same, I don't care
for any of them; not one has roused in me the emotion which I feel when
I listen to Garcia in his splendid duet with Pellegrini in _Otello_.
Heavens! how jealous Rossini must have been to express jealousy so well!
What a cry in "Il mio cor si divide!" I'm speaking Greek to you, for you
never heard Garcia, but then you know how jealous I am!
What a wretched dramatist Shakespeare is! Othello is in love with glory;
he wins battles, he gives orders, he struts about and is all over the
place while Desdemona sits at home; and Desdemona, who sees herself
neglected for the silly fuss of public life, is quite meek all the time.
Such a sheep deserves to be slaughtered. Let the man whom I deign to
love beware how he thinks of anything but loving me!
For my part, I like those long trials of the old-fashioned chivalry.
That lout of a young lord, who took offence because his sovereign-lady
sent him down among the lions to fetch her glove, was, in my opinion,
very impertinent, and a fool too. Doubtless the lady had in reserve
for him some exquisite flower of love, which he lost, as he well
deserved--the puppy!
Public-domain text, read in full here on John Shaqi.
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