Epistolary fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Married women -- Fiction
To begin with, I found no one to receive me; my heart had been schooled
in vain. My mother was at the Bois de Boulogne, my father at the
Council; my brother, the Duc de Rhetore, never comes in, I am told,
till it is time to dress for dinner. Miss Griffith (she is not unlike a
griffin) and Philippe took me to my rooms.
The suite is the one which belonged to my beloved grandmother, the
Princess de Vauremont, to whom I owe some sort of a fortune which no
one has ever told me about. As you read this, you will understand
the sadness which came over me as I entered a place sacred to so many
memories, and found the rooms just as she had left them! I was to sleep
in the bed where she died.
Sitting down on the edge of the sofa, I burst into tears, forgetting I
was not alone, and remembering only how often I had stood there by her
knees, the better to hear her words. There I had gazed upon her face,
buried in its brown laces, and worn as much by age as by the pangs of
approaching death. The room seemed to me still warm with the heat which
she kept up there. How comes it that Armande-Louise-Marie de Chaulieu
must be like some peasant girl, who sleeps in her mother's bed the very
morrow of her death? For to me it was as though the Princess, who died
in 1817, had passed away but yesterday.
I saw many things in the room which ought to have been removed. Their
presence showed the carelessness with which people, busy with the
affairs of state, may treat their own, and also the little thought which
had been given since her death to this grand old lady, who will always
remain one of the striking figures of the eighteenth century. Philippe
seemed to divine something of the cause of my tears. He told me that the
furniture of the Princess had been left to me in her will and that my
father had allowed all the larger suites to remain dismantled, as the
Revolution had left them. On hearing this I rose, and Philippe opened
the door of the small drawing-room which leads into the reception-rooms.
In these I found all the well-remembered wreckage; the panels above
the doors, which had contained valuable pictures, bare of all but empty
frames; broken marbles, mirrors carried off. In old days I was afraid
to go up the state staircase and cross these vast, deserted rooms; so I
used to get to the Princess' rooms by a small staircase which runs
under the arch of the larger one and leads to the secret door of her
dressing-room.
My suite, consisting of a drawing-room, bedroom, and the pretty
morning-room in scarlet and gold, of which I have told you, lies in the
wing on the side of the Invalides. The house is only separated from the
boulevard by a wall, covered with creepers, and by a splendid avenue
of trees, which mingle their foliage with that of the young elms on
the sidewalk of the boulevard. But for the blue-and-gold dome of the
Invalides and its gray stone mass, you might be in a wood.
Public-domain text, read in full here on John Shaqi.
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