It is therefore of the last consequence, in considering the truth of
stories of ghosts and apparitions, to consider the possibility of wilful
deception, whether on the part of those who are agents in the supposed
disturbances, or the author of the legend. We shall separately notice an
instance or two of either kind.
The most celebrated instance in which human agency was used to copy the
disturbances imputed to supernatural beings refers to the ancient palace
of Woodstock, when the Commissioners of the Long Parliament came down to
dispark what had been lately a royal residence. The Commissioners
arrived at Woodstock, 13th October, 1649, determined to wipe away the
memory of all that connected itself with the recollection of monarchy in
England. But in the course of their progress they were encountered by
obstacles which apparently came from the next world. Their bed-chambers
were infested with visits of a thing resembling a dog, but which came
and passed as mere earthly dogs cannot do. Logs of wood, the remains of
a very large tree called the King's Oak, which they had splintered into
billets for burning, were tossed through the house, and the chairs
displaced and shuffled about. While they were in bed the feet of their
couches were lifted higher than their heads, and then dropped with
violence. Trenchers "without a wish" flew at their heads of free will.
Thunder and lightning came next, which were set down to the same cause.
Spectres made their appearance, as they thought, in different shapes,
and one of the party saw the apparition of a hoof, which kicked a
candlestick and lighted candle into the middle of the room, and then
politely scratched on the red snuff to extinguish it. Other and worse
tricks were practised on the astonished Commissioners who, considering
that all the fiends of hell were let loose upon them, retreated from
Woodstock without completing an errand which was, in their opinion,
impeded by infernal powers, though the opposition offered was rather of
a playful and malicious than of a dangerous cast.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account