before they could get to their child's assistance she had murdered it; they finding the poor girl dead, her throat having been pinched by two fingers, which stopped her breath and strangled her. This was the sorest of all their afflictions; their estate is gone, and now their child is gone also; you may guess at their grief and great sorrow. One morning after the child's funeral, her husband being abroad, about eleven in the forenoon, Mrs. Leckie the younger goes up into her chamber to dress her head, and as she was looking into the glass she spies her mother-in-law, the old beldam, looking over her shoulder. This cast her into a great horror; but recollecting her affrighted spirits, and recovering the exercise of her reason, faith, and hope, having cast up a short and silent prayer to God, she turns about, and bespeaks her: 'In the name of God, mother, why do you trouble me?' 'Peace,' says the spectrum; 'I will do thee no hurt.' 'What will you have of me?' says the daughter," &c.[86] Dunton, the narrator and probably the contriver of the story, proceeds to inform us at length of a commission which the wife of Mr. Leckie receives from the ghost to deliver to Atherton, Bishop of Waterford, a guilty and unfortunate man, who afterwards died by the hands of the executioner; but that part of the subject is too disagreeable and tedious to enter upon. [Footnote 86: "Apparition Evidence."] So deep was the impression made by the story on the inhabitants of Mynehead, that it is said the tradition of Mrs. Leckie still remains in that port, and that mariners belonging to it often, amid tempestuous weather, conceive they hear the whistle-call of the implacable hag who was the source of so much mischief to her own family. However, already too desultory and too long, it would become intolerably tedious were I to insist farther on the peculiar sort of genius by which stories of this kind may be embodied and prolonged. I may, however, add, that the charm of the tale depends much upon the age of the person to whom it is addressed; and that the vivacity of fancy which engages us in youth to pass over much that is absurd, in order to enjoy some single trait of imagination, dies within us when we obtain the age of manhood, and the sadder and graver regions which lie beyond it. I am the more conscious of this, because I have been myself at two periods of my life, distant from each other, engaged in scenes favourable to that degree of superstitious awe which my countrymen expressively call being _eerie_.