On the first of these occasions I was only ninteeen or twenty years old,
when I happened to pass a night in the magnificent old baronial castle
of Glammis, the hereditary seat of the Earls of Strathmore. The hoary
pile contains much in its appearance, and in the traditions connected
with it, impressive to the imagination. It was the scene of the murder
of a Scottish king of great antiquity; not indeed the gracious Duncan,
with whom the name naturally associates itself, but Malcolm the Second.
It contains also a curious monument of the peril of feudal times, being
a secret chamber, the entrance of which, by the law or custom of the
family, must only be known to three persons at once, viz., the Earl of
Strathmore, his heir apparent, and any third person whom they may take
into their confidence. The extreme antiquity of the building is vouched
by the immense thickness of the walls, and the wild and straggling
arrangement of the accommodation within doors. As the late Earl of
Strathmore seldom resided in that ancient mansion, it was, when I was
there, but half-furnished, and that with movables of great antiquity,
which, with the pieces of chivalric armour hanging upon the walls,
greatly contributed to the general effect of the whole. After a very
hospitable reception from the late Peter Proctor, Esq., then seneschal
of the castle, in Lord Strathmore's absence, I was conducted to my
apartment in a distant corner of the building. I must own, that as I
heard door after door shut, after my conductor had retired, I began to
consider myself too far from the living and somewhat too near the dead.
We had passed through what is called "The King's Room," a vaulted
apartment, garnished with stags' antlers and similar trophies of the
chase, and said by tradition to be the spot of Malcolm's murder, and I
had an idea of the vicinity of the castle chapel.
In spite of the truth of history, the whole night-scene in Macbeth's
castle rushed at once upon my mind, and struck my imagination more
forcibly than even when I have seen its terrors represented by the late
John Kemble and his inimitable sister. In a word, I experienced
sensations which, though not remarkable either for timidity or
superstition, did not fail to affect me to the point of being
disagreeable, while they were mingled at the same time with a strange
and indescribable kind of pleasure, the recollection of which affords me
gratification at this moment.
In the year 1814 accident placed me, then past middle life, in a
situation somewhat similar to that which I have described.
Public-domain text, read in full here on John Shaqi.
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