Letters on Natural Magic; Addressed to Sir Walter Scott, Bart. — John Shaqi
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.Brewster, David
History
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.
Brewster, David
Scientific recreations
The concave mirror is the staple instrument of the magician’s cabinet,
and must always perform a principal part in all optical combinations.
In order to be quite perfect, every concave mirror should have its
surface elliptical, so that if any object is placed in one focus of the
ellipse, an inverted image of it will be formed in the other focus.
This image, to a spectator rightly placed, appears suspended in the
air, so that if the mirror and the object are hid from his view, the
effect must appear to him almost supernatural.
The method of exhibiting the effect of concave mirrors most
advantageously is shown in Fig. 4, where CD is the partition of a
room having in it a square opening EF, the centre of which is about
five feet above the floor. This opening might be surrounded with a
picture-frame, and a painting which exactly filled it might be so
connected with a pulley that it could be either slipped aside, or
raised so as to leave the frame empty. A large concave mirror MN is
then placed in another apartment, so that when any object is placed at
A, a distinct image of it may be formed in the centre of the opening
EF. Let us suppose this object to be a plaster cast of any object made
as white as possible, and placed in an _inverted_ position at A. A
strong light should then be thrown upon it by a powerful lamp, the rays
of which are prevented from reaching the opening EF. When this is done,
a spectator placed at O will see an erect image of the statue at B,
the centre of the opening, standing in the air, and differing from the
real statue only in being a little larger, while the apparition will
be wholly invisible to other spectators placed at a little distance on
each side of him.
[Illustration: _Fig. 4._]
If the opening EF is filled with smoke, rising either from a
chafing-dish, in which incense is burnt, or made to issue in clouds
from some opening below, the image will appear in the middle of the
smoke depicted upon it as upon a ground, and capable of being seen by
those spectators who could not see the image of the air. The rays of
light, in place of proceeding without obstruction to an eye at O, are
reflected as it were from those minute particles of which the smoke
is composed, in the same manner as a beam of light is rendered more
visible by passing through an apartment filled with dust or smoke.
It has long been a favourite experiment to place at A a white and
strongly illuminated human skull, and to exhibit an image of it amid
the smoke of a chafing-dish at B; but a more terrific effect would be
produced if a small skeleton suspended by invisible wires were placed
as an object at A. Its image suspended in the air at B, or painted upon
smoke, could not fail to astonish the spectator.
Public-domain text, read in full here on John Shaqi.
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