Letters on Natural Magic; Addressed to Sir Walter Scott, Bart. — John Shaqi
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.Brewster, David
History
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.
Brewster, David
Scientific recreations
But of all the sciences _Optics_ is the most fertile in marvellous
expedients. The power of bringing the remotest objects within the very
grasp of the observer, and of swelling into gigantic magnitude the
almost invisible bodies of the material world, never fails to inspire
with astonishment even those who understand the means by which these
prodigies are accomplished. The ancients, indeed, were not acquainted
with those combinations of lenses and mirrors which constitute the
telescope and the microscope, but they must have been familiar with
the property of lenses and mirrors to form erect and inverted images
of objects. There is reason to think that they employed them to effect
the apparition of their gods; and in some of the descriptions of the
optical displays which hallowed their ancient temples, we recognize
all the transformations of the modern phantasmagoria.
It would be an interesting pursuit to embody the information which
history supplies respecting the fables and incantations of the ancient
superstitions, and to show how far they can be explained by the
scientific knowledge which then prevailed. This task has, to a certain
extent, been performed by M. Eusebe Salverte, in a work on the occult
sciences which has recently appeared; but notwithstanding the ingenuity
and learning which it displays, the individual facts are too scanty to
support the speculations of the author, and the descriptions are too
meagre to satisfy the curiosity of the reader.[1]
[1] We must caution the young reader against some of the views given
in M. Salverte’s work. In his anxiety to account for everything
miraculous by natural causes, he has ascribed to the same origin some
of these events in sacred history which Christians cannot but regard
as the result of divine agency.
In the following letters I propose to take a wider range, and to enter
into more minute and popular details. The principal phenomena of
nature, and the leading combinations of arts, which bear the impress of
a supernatural character, will pass under our review, and our attention
will be particularly called to those singular illusions of sense, by
which the most perfect organs either cease to perform their functions,
or perform them faithlessly; and where the efforts and the creations of
the mind predominate over the direct perceptions of external nature.
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