Forgive me for referring so often to the diamond. What must be the
feelings of a man who is not a connoisseur in gems, to whom the
jewellers have said, “This stone is an imitation,” and who nevertheless
sees it sparkle brilliantly; who sometimes says to himself, “Suppose the
jewellers are not good judges of diamonds! Suppose they are mistaken, or
else wish to deceive me!” I look at my diamond from time to time (as
seldom as I can), and every time I see it it seems to me genuine in
every respect. What a pity that I am unable myself to make a conclusive
chemical analysis! What do you think about it? If I could see you, I
should explain what is obscure in this matter, and you would give me
some wise advice; or, better still, you would make me forget my diamond,
genuine or false, for there is no diamond that can stand comparison with
two lovely black eyes.
Good-bye. I have a terrible pain in my left elbow, on which I am leaning
to write to you; besides, you do not deserve three closely written
pages. You send me only a few lines, carelessly written, and when you
write three lines two of them are certain to throw me in a rage.
XI
You are charming, dear _Mariquita_, too charming even. I have just
received the _schizzo_, and I now possess both your portrait and your
confidence, a double happiness. You were in an agreeable mood the day
you wrote, for your letter was long and kind, but it has one fault, that
is, it is indefinite. Shall I see you, or not? That is the question. I
know well enough how it may be solved, but you do not want to come to a
decision. You are, as you will be all your life, vacillating between
your own temperament and the habits you acquired in the convent. That is
the cause of all the trouble.
I swear to you that if you will not permit me to call and see you, I
shall go to Madam D. and ask her to give me some news of you. In this
connection, Madam D. might give you a satisfactory proof of my
discretion, for I even resisted the desire which made my fingers tingle
to open the package containing the picture. Applaud me.
Why are you unwilling that I should see you on the promenade, for
example, or, better still, at the British Museum or the Ingerstein
Gallery? I have a friend with me who is exceedingly curious about the
large package which I untied while his back was turned, and also about
the change in my spirits due to its arrival. I have not told him a word
that approaches the truth, but I think he is on the scent.
Good-bye. I wished to tell you of the safe arrival of the picture, and
of the very great pleasure it has given me. Let us write frequently in
London, even if we are not to see each other there.
XII
LONDON, _December 10_.
Public-domain text, read in full here on John Shaqi.
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