_Calo_ he spoke in such a manner as to astonish the Spanish gipsies. He
was familiar with the various Spanish dialects, and was able to decipher
the archaic title-deeds of Catalonia. He understood perfectly English
versification. Those only who have studied an entire literature, both in
print and in manuscript, during the several successive periods of its
development, in style and in orthography, are able to appreciate the
skill and perseverance necessary to know Spanish as the author of _Don
Pedro_ knew it, and Russian as the author of _The Cossacks_ and of _The
False Demetrius_ knew it. With a natural gift for languages, he pursued
their acquirement even after reaching maturity. During the latter part
of his life he became interested in philology, and while living in
Cannes devoted himself to the critical studies which compose the
comparative grammar.
To this acquaintance with books he had added that of monuments, his
reports proving that throughout France he was the acknowledged expert in
this branch of learning. He understood not only the purpose, but the
technique, of architecture. Each ancient church he visited in person,
conducting his examinations with the aid of the best architects the
country afforded. His memory of local affairs was excellent by nature
and by careful training.
Born in a family of artists, he was clever in the use of the brush, and
as a water-colourist was equally skilful. In short, in this, as in
everything he did, he went to the very foundations of the subject.
Evasive expression he detested, writing no word until he had reached
definite and absolute conclusions. It would be difficult to find a
historian whose head was so complete a store-house of information
relating to the past, who was himself, indeed, a whole library, a whole
museum of information.
He possessed, besides, the rarer gifts of a knowledge of life and a
clear imagination, by the exercise of which those relics of the past
were revivified and lived again. He had travelled widely, having made
one journey to the Orient and two to Greece; he had visited England,
Spain, and other countries twelve or fifteen times, and wherever he went
he had been a close observer of the manners and customs not only of the
best society, but of the peasantry also: “Many a time have I broken
bread with people whom an Englishman would not notice for fear of losing
his self-respect. I have even drunk from the same bottle with a
convict.”
He had lived on familiar terms with Spanish gipsies and toreadors. Many
an evening he had told stories for the entertainment of a group of
peasant men and women of Ardèche. One of the places where he felt most
at home was in a Spanish _venta_, with the “mule-drivers and peasant
women of Andalusia.”
Public-domain text, read in full here on John Shaqi.
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