Authors -- Biography; Authors, English -- Biography; Literature -- History and criticism
You, above all others, were and remain without a rival in your many-sided
excellence, and praise of you strikes at none of those who have survived
your day. The increase of time only mellows your renown, and each year
that passes and brings you no successor does but sharpen the keenness of
our sense of loss. In what other novelist, since Scott was worn down by
the burden of a forlorn endeavour, and died for honour’s sake, has the
world found so many of the fairest gifts combined? If we may not call
you a poet (for the first of English writers of light verse did not seek
that crown), who that was less than a poet ever saw life with a glance so
keen as yours, so steady, and so sane? Your pathos was never cheap, your
laughter never forced; your sigh was never the pulpit trick of the
preacher. Your funny people—your Costigans and Fokers—were not mere
characters of trick and catch-word, were not empty comic masks. Behind
each the human heart was beating; and ever and again we were allowed to
see the features of the man.
Thus fiction in your hands was not simply a profession, like another, but
a constant reflection of the whole surface of life: a repeated echo of
its laughter and its complaint. Others have written, and not written
badly, with the stolid professional regularity of the clerk at his desk;
you, like the Scholar Gipsy, might have said that “it needs heaven-sent
moments for this skill.” There are, it will not surprise you, some
honourable women and a few men who call you a cynic; who speak of “the
withered world of Thackerayan satire;” who think your eyes were ever
turned to the sordid aspects of life—to the mother-in-law who threatens
to “take away her silver bread-basket;” to the intriguer, the sneak, the
termagant; to the Beckys, and Barnes Newcomes, and Mrs. Mackenzies of
this world. The quarrel of these sentimentalists is really with life,
not with you; they might as wisely blame Monsieur Buffon because there
are snakes in his Natural History. Had you not impaled certain noxious
human insects, you would have better pleased Mr. Ruskin; had you confined
yourself to such performances, you would have been more dear to the
Neo-Balzacian school in fiction.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account