Authors -- Biography; Authors, English -- Biography; Literature -- History and criticism
_For ever echoing in the heart and present in the memory_: who has not
heard these tones, who does not hear them as he turns over your books
that, for so many years, have been his companions and comforters? We
have been young and old, we have been sad and merry with you, we have
listened to the midnight chimes with Pen and Warrington, have stood with
you beside the death-bed, have mourned at that yet more awful funeral of
lost love, and with you have prayed in the inmost chapel sacred to our
old and immortal affections, _à léal souvenir_! And whenever you speak
for yourself, and speak in earnest, how magical, how rare, how lonely in
our literature is the beauty of your sentences! “I can’t express the
charm of them” (so you write of George Sand; so we may write of you):
“they seem to me like the sound of country bells, provoking I don’t know
what vein of music and meditation, and falling sweetly and sadly on the
ear.” Surely that style, so fresh, so rich, so full of surprises—that
style which stamps as classical your fragments of slang, and perpetually
astonishes and delights—would alone give immortality to an author, even
had he little to say. But you, with your whole wide world of fops and
fools, of good women and brave men, of honest absurdities and cheery
adventurers: you who created the Steynes and Newcomes, the Beckys and
Blanches, Captain Costigan and F. B., and the Chevalier Strong—all that
host of friends imperishable—you must survive with Shakespeare and
Cervantes in the memory and affection of men.
II.
_To Charles Dickens_.
SIR,—It has been said that every man is born a Platonist or an
Aristotelian, though the enormous majority of us, to be sure, live and
die without being conscious of any invidious philosophic partiality
whatever. With more truth (though that does not imply very much) every
Englishman who reads may be said to be a partisan of yourself or of Mr.
Thackeray. Why should there be any partisanship in the matter; and why,
having two such good things as your novels and those of your
contemporary, should we not be silently happy in the possession? Well,
men are made so, and must needs fight and argue over their tastes in
enjoyment. For myself, I may say that in this matter I am what the
Americans do _not_ call a “Mugwump,” what English politicians dub a
“superior person”—that is, I take no side, and attempt to enjoy the best
of both.
Public-domain text, read in full here on John Shaqi.
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