Authors -- Biography; Authors, English -- Biography; Literature -- History and criticism
You, above all others, were and remain without a rival in your
many-sided excellence, and praise of you strikes at none of those who
have survived your day. The increase of time only mellows your renown,
and each year that passes and brings you no successor does but sharpen
the keenness of our sense of loss. In what other novelist, since
Scott was worn down by the burden of a forlorn endeavour, and died
for honour's sake, has the world found so many of the fairest gifts
combined? If we may not call you a poet (for the first of English
writers of light verse did not seek that crown), who that was less than
a poet ever saw life with a glance so keen as yours, so steady, and so
sane? Your pathos was never cheap, your laughter never forced; your
sigh was never the pulpit trick of the preacher. Your funny people--your
Costigans and Fokers--were not mere characters of trick and catch-word,
were not empty comic masks. Behind each the human heart was beating; and
ever and again we were allowed to see the features of the man.
Thus fiction in your hands was not simply a profession, like another,
but a constant reflection of the whole surface of life: a repeated echo
of its laughter and its complaint. Others have written, and not written
badly, with the stolid professional regularity of the clerk at his desk;
you, like the Scholar Gipsy, might have said that 'it needs heaven-sent
moments for this skill.' There are, it will not surprise you, some
honourable women and a few men who call you a cynic; who speak of 'the
withered world of Thackerayan satire;' who think your eyes were ever
turned to the sordid aspects of life--to the mother-in-law who threatens
to 'take away her silver bread-basket;' to the intriguer, the sneak, the
termagant; to the Beckys, and Barnes Newcomes, and Mrs. Mackenzies of
this world. The quarrel of these sentimentalists is really with life,
not with you; they might as wisely blame Monsieur Buffon because there
are snakes in his Natural History. Had you not impaled certain noxious
human insects, you would have better pleased Mr. Ruskin; had you
confined yourself to such performances, you would have been more dear to
the Neo-Balzacian school in fiction.
Public-domain text, read in full here on John Shaqi.
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