Authors -- Biography; Authors, English -- Biography; Literature -- History and criticism
It must be owned that this attitude is sometimes made a little difficult
by the vigour of your special devotees. They have ceased, indeed, thank
Heaven! to imitate you; and even in 'descriptive articles' the touch
of Mr. Gigadibs, of him whom 'we almost took for the true Dickens,'
has disappeared. The young lions of the Press no longer mimic your less
admirable mannerisms--do not strain so much after fantastic comparisons,
do not (in your manner and Mr. Carlyle's) give people nick-names derived
from their teeth, or their complexion; and, generally, we are spared
second-hand copies of all that in your style was least to be commended.
But, though improved by lapse of time in this respect, your devotees
still put on little conscious airs of virtue, robust manliness, and so
forth, which would have irritated you very much, and there survive some
press men who seem to have read you a little (especially your later
works), and never to have read anything else. Now familiarity with the
pages of 'Our Mutual Friend'and 'Dombey and Son' does not precisely
constitute a liberal education, and the assumption that it does is apt
(quite unreasonably) to prejudice people against the greatest comic
genius of modern times.
On the other hand, Time is at last beginning to sift the true admirers
of Dickens from the false. Yours, Sir, in the best sense of the word, is
a popular success, a popular reputation. For example, I know that, in a
remote and even Pictish part of this kingdom, a rural household, humble
and under the shadow of a sorrow inevitably approaching, has found in
'David Copperfield' oblivion of winter, of sorrow, and of sickness. On
the other hand, people are now picking up heart to say that 'they cannot
read Dickens,' and that they particularly detest 'Pickwick.' I believe
it was young ladies who first had the courage of their convictions in
this respect. 'Tout sied aux belles,' and the fair, in the confidence of
youth, often venture on remarkable confessions. In your 'Natural History
of Young Ladies' I do not remember that you describe the Humorous Young
Lady (1). She is a very rare bird indeed, and humour generally is at a
deplorably low level in England.
(1) I am informed that the _Natural History of Young
Ladies_ is attributed, by some writers, to another
philosopher, the author of _The Art of Pluck_.
Public-domain text, read in full here on John Shaqi.
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