Letters to Helen: Impressions of an Artist on the Western FrontHenderson, Keith
History
Letters to Helen: Impressions of an Artist on the Western Front
Henderson, Keith
World War, 1914-1918 -- Personal narratives, English
Then the absurd thing was that we couldn't find the working-party.
Plenty of dead Huns, but nobody alive. Not a sign. Only crumps dropping
here and there and everywhere. So we found a bit of a trench that led
back round the side of the wood. The front line trenches were only very
lightly held, partly because they are almost completely blown in. And we
could get no information as to the working-party at all.
Presently we saw why. The Huns had put up a barrage across the valley
they were coming up. We knew they would come up this other valley, as
they had to report on their way to H.Q., ---- Division. So we got into a
hole and waited.
After about half an hour the barrage lifted and up came our
working-party none the worse. It is a most amazing war. People literally
dodge shells and things as you might dodge snow-balls.
When we arrived back at the place where we left our two men, they also
were not to be seen.
After some time and anxious inquiries for two men with four horses, we
at last discovered them nearly half a mile away. Fritz had put some
heavy stuff over fairly near, and they had moved.
"A very interesting bit of the line isn't it, Hale?" I said as we moved
off. "Yes, sir," he said, adding with a fierce frown, "but not very
_safe_, sir."
And then we all laughed. Hale does frown so when he makes one of his
oracular utterances.
[Illustration: A HOUSE IN GEUDECOURT
Here, as in many of these sketches, there are no people to be seen, for
the simple reason that they are all underground in dug-outs.]
_September 29._
It's up to us to reconnoitre carefully every time there is a move
forward, so as to see the new ground.
One of the most curious and interesting things is this: the Boche rarely
wastes. He only puts his crumps and pip-squeaks just where he thinks (or
knows) our batteries are, and our infantry want to be, and our horses
would be likely to be (if they weren't somewhere else). So that
gradually you begin to track out safe routes. Don't go near the edge of
---- Wood, but 200 yards inside the wood, on the north side, you're
pretty comfy. Don't go near the mangled remains of ---- village, but
keep to the right of it until you get to the wrecked aeroplane, and then
turn down the remains of ---- trench, and you probably won't be touched.
That sort of thing.
[Sidenote: BOCHE DUG-OUTS]
I've been sleeping in the most superb Boche dug-out. Very deep; I
should think 30 feet down. The inside is pillared rather like the
studio, and cretonned all over with maroon-coloured stuff instead of
wall-paper. There are lovely little cupboards everywhere, and doors and
window-frames just like a real house. The windows, of course, only look
out on to an air-shaft, so it's very dark, and you have to have candles
all the time. The windows have no glass, of course, as that would be
shattered to smithereens by the vibrations. Then there's an arch and
more steps down lower still, into the bedroom for two.
Public-domain text, read in full here on John Shaqi.
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