English poetry -- 19th century; Landscapes -- England -- Dorset -- Poetry
How changed is thy appearance, beauteous hill!
Thou hast put off thy wintry garb, brown heath
And russet fern, thy seemly-colour’d cloak
To bide the hoary frosts and dripping rains
Of chill December, and art gaily robed
In livery of the spring: upon thy brow
A cap of flowery hawthorn, and thy neck
Mantled with new-sprung furze and spangles thick
Of golden bloom: nor lack thee tufted woods
Adown thy sides: tall oaks of lusty green,
The darker fir, light ash, and the nesh tops
Of the young hazel join, to form thy skirts
In many a wavy fold of verdant wreath:—
So gorgeously hath Nature drest thee up
Against the birth of May: and, vested so,
Thou dost appear more gracefully array’d
Than Fashion’s worshippers, whose gaudy shows,
Fantastical as are a sick man’s dreams,
From vanity to costly vanity
Change ofter than the moon. Thy comely dress,
From sad to gay returning with the year,
Shall grace thee still till Nature’s self shall change.
These are the beauties of thy woodland scene
At each return of spring: yet some[1] delight
Rather to view the change; and fondly gaze
On fading colours, and the thousand tints
Which Autumn lays upon the varying leaf:
I like them not, for all their boasted hues
Are kin to Sickliness; mortal Decay
Is drinking up their vital juice; that gone,
They turn to sear and yellow. Should I praise
Such false complexions, and for beauty take
A look consumption-bred? As soon, if gray
Were mixt in young Louisa’s tresses brown,
I’d call it beautiful variety,
And therefore dote on her. Yet I can spy
A beauty in that fruitful change, when comes
The yellow Autumn and the hopes o’ the year
Brings on to golden ripeness; nor dispraise
The pure and spotless form of that sharp time,
When January spreads a pall of snow
O’er the dead face of th’ undistinguish’d earth.
Then stand I in the hollow comb beneath,
And bless this friendly mount, that weather-fends
My reed-roof’d cottage, while the wintry blast
From the thick north comes howling: till the Spring
Return, who leads my devious steps abroad,
To climb, as now, to LEWESDON’S airy top.
Public-domain text, read in full here on John Shaqi.
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