LEWIS
AND IRENE
A NOVEL BY
PAUL MORAND
_Translated by_
H. B. V.
CHATTO & WINDUS
LONDON
1925
_By the same Author_
OPEN ALL NIGHT
CLOSED ALL NIGHT
_Guy Chapman: London_
CONTENTS
PART ONE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
PART TWO
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
PART THREE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
PART ONE
I
"FIFTEEN," said Lewis.
The morning papers predicted mist with occasional showers from the
Atlantic. In spite of this the morning presented a cloudless sky, though
it had been a little late in producing it. The Paris sycamores persisted
in their homage to the autumn; hardly were their leaves swept up than it
had to be done again.
"Fifteen and fifteen, thirty," went on Lewis, catching sight of a
beautiful outward curling beard which came to join the imperial of his
next-door neighbour, the general, each of whose statements began with
the expression: "Upon my soul and honour ...!"
It was the first funeral since the return from the holidays. Nobody had
yet had time to get back their pallor; from starched collars and
mourning dresses protruded the tanned cheeks and sunburnt hands of the
congregation.
Whilst the black-moustached undertaker's men were emptying the contents
of the hearse on to the bier and carrying the be-ribboned wreaths and
other floral expressions of regret one by one into the church, the
organ, like a concertina in the hands of some inebriated and tearful
sailor, sent its gigantic windy harmonies soaring amongst the church
hangings, beneath the vaulted roof and right out into the street. The
beadles with their glittering halberds pierced like absinthe spoons,
towered above all the bald heads. The footmen of the deceased, in their
amethystine livery, and holding their top-hats in their hands, added to
the majesty of the scene. One felt that the least touch of sorrow would
have impaired and the least incivility have shattered the good humour of
this obscure gathering of men and women in their common enjoyment of the
taste of the morning, of toothpaste and of not being dead.
"Forty."
Public-domain text, read in full here on John Shaqi.
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