To leave one's country is the next best thing to coming back to it.
After passing Modane he had felt the strange atmosphere that one
breathes at the gates of France, just as though France were not the most
entrancing place to remain in (or perhaps because of it), experiencing
that pleasure one has when one's relations with someone or something are
strained, but all the more precious for that, and which are so well
described by the expression "out of tune." Other countries are only
parts of a continent or of the world; France is a sealed vessel, a form
of diet complete in itself, interesting to, but not interested by
Europe. One can feel German villages tremble at the least sign of
movement from a Russian army corps, and the whole of Spain heave at a
shot fired at one of her governors in the garrisons of Morocco. London,
with even more reason, throbs with a kind of terrestrial neuralgia on
hearing of oil being struck in Mexico, or of a political murder in the
Punjab. But Paris, self-centred Paris, always remains unmoved.
International upheavals reach the Paris press agencies with an air of
unreality; from there they find their way into the editorial offices and
to the caricaturists, and thence to a laughing public which sings songs
about them. The more intelligent people never open a paper. So that on
leaving France one has more than at other times the impression of
escaping at the right moment and taking a holiday from one's domestic
happiness, and of avoiding the danger of living with a wife who is
completely satisfying.
Public-domain text, read in full here on John Shaqi.
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