He was aware of having changed, of no longer being what he had been a
year before at that time. So that, without quite having lost confidence
in himself, he was no longer sure that he could do anything he liked and
that anything could either be bought or seized. He began to ask himself
of what use he was in this world. Every time he met a good woman who
avoided his gaze his heart seemed to falter.
IV
FROM a taste for poverty, Lewis began to spend a great deal of money.
No longer furnishing his house according to his needs, he began to
decorate it according to a definite scheme. Artistic objects had
cluttered up his room like old iron in the liberated regions of France.
He turned them all out. He began to study the best periods of art. Aided
by his instincts, he soon passed through the lower stages, coming back
to first principles by abstract methods, like all Modernists. He grasped
the fact that an age like our own is great enough to disregard
tradition.
He no longer visited the shops to which Madame Magnac used so often to
take him after lunch. He avoided those old curiosity shops which had
grown up since the war, like cheap eating houses round a racecourse.
From the insipidity of the by-products of the eighteenth century, which
hung their sky-blue bows in the Rue la Boétie, alarmed by the
propinquity of negro masks, and jostled by the rigid interpretations of
Cubist masters, to the farmhouse furniture of the Boulevard Raspail
which was handed over to specially bred worms to eat, passing by the
German antiquaries of the Place Vendôme where our rickety
fifteenth-century Madonnas dwell in shivering captivity. Those dismal
rooms furnished with "association pieces," those beds made for guilty
passion in dimly-lit Louis XVI rooms, and which one sees lit up by motor
head-lamps in the Faubourg Saint Honoré in the evenings, the delicate
china which quivers at the change in the value of the pound sterling and
the passing of omnibuses, all these things disgusted Lewis; he was
disgusted by the little plump hands of the art experts, organizing the
emigration of all this poor French furniture created for solitude, grace
and modesty, and which would turn up again in the antipodes, probably
upside down.
V
THE days followed each other as monotonously as long-distance runners
with their numbers on their backs like the leaves of a calendar.
Lewis no longer went anywhere and refused all invitations. He catalogued
his books. He gnawed the ends of his pencils and bit through his pipes.
He got pleasure out of wasting time. "I am out of work," he said, "and I
am learning to be lazy."
When Martial expressed surprise, asking him: "Are you preparing for your
examination of conscience?"
Lewis replied: "I have work to do for which I am not sufficiently
equipped."
"What work?"
"Indulgence, patience and the confutation of errors."
"Poor old chap," decided Martial, "I don't know who it is, but you've
certainly got it badly this time."
VI
Public-domain text, read in full here on John Shaqi.
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