THEY went into the smoking-room, and whilst uncle Solon was plunging his
arms up to the elbows into a mahogany cabinet full of cigars with his
name on the bands, Lewis said:--
"I have a feeling that it was in the silence of a seraglio like this in
Trieste that you strangled my poor little San Lucido venture."
"Ah I to my jealous lord let my poor head be borne."
"Don't make fun of this house," answered Irene; "I love it just as it
is. I lived here as a girl; I was a day boarder at a Maida Vale school
then, and I was captain of the hockey team. I used to come back here
every evening when the fog begins to thicken and when the street singers
cast fantastic shadows on the walls and smile behind their make-up.
Yesterday I went up to my old room under the roof; it has been empty
since I left it. My bed, a very hard one, where I used to weave
ridiculous dreams, still stood in the corner."
"What sort of dreams?"
"I've forgotten now. There's a stuffed cuckoo which I brought back from
Interlaken still there."
"I want to see it, this room of yours."
"Why?"
"Just because ..."
"Just as you like," said Irene simply, without waiting to be begged.
"I collect famous rooms," said Lewis. "I have already seen Cecil Rhodes'
college rooms with his old cricket bat and his rhinoceros heads; Gaby
Deslys' room in Knightsbridge after her death: there I found her old
mother who had come from Marseilles too late, crying before a golden sun
rising above a cream velvet bed; the ceiling was a painted sky in which
aeroplanes were manœuvring: they were all the different machines flown
by the pilot who was her lover at that time.... And again, the bedroom
of the Empress Zita at Schœnbrunn, with her soap and towel just as she
left them in her flight. But all this is quite beside the point...."
Irene's room was enamelled white with a green ribbon running along it
like a water line, and two shiny chintz curtains covered with
hollyhocks. It was what thirty years ago would have been called a
symphony in white.
Lewis went up to her.
"You are still only a girl."
She stepped back.
"Let me alone."
Her nose twitched and her narrow nostrils dilated. Her brow, swept clear
of the abundant hair that grew slightly over her temples, caught the
light.
Lewis put his hands on her shoulders.
"I adore your prim face with all the romance lurking in it. Give me your
hand. Open it. Look, there I am in the middle of your line of Fate; here
I am again after climbing this mountain. You see: I've got to get there
sometime...."
"I am always told that I've got a man's hand, the hand of a pioneer, the
fingers of a banker, made to handle money; will you let me alone ..."
"Your slim figure, your long neck, your slender arms, your narrow
waist..."
"Let me alone."
"Your honest mouth and your Byzantine eyes, like the eyes in a peacock's
tail. I don't want you to be my mistress."
"Let me alone."
"Will you marry me?"
"Certainly not. I've been married once; that's enough for me."
Public-domain text, read in full here on John Shaqi.
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