Lewis Arundel; Or, The Railroad Of LifeSmedley, Frank E. (Frank Edward)
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Lewis Arundel; Or, The Railroad Of Life
Smedley, Frank E. (Frank Edward)
English fiction -- 19th century
Smiling at his mother’s caprice, Lewis Arundel drew himself up to
his full height, and, placing his back against the wall, stood in the
attitude of a soldier on parade--his head just touching the frame of a
picture which hung above him. The light of the lamp shone full upon the
spot where he had stationed himself, displaying a face and figure
on which a mother’s eye might well rest with pride and admiration.
Considerably above the middle height, his figure was slender, but
singularly graceful; his head small and intellectual looking. The
features, exquisitely formed, were, if anything, too delicately cut and
regular; which, together with a brilliant complexion and long silken
eyelashes, tended to impart an almost feminine character to his beauty.
The expression of his face, however, effectually counteracted any
such tendency; no one could observe the flashing of the dark eyes, the
sarcastic curl of the short upper lip, the curved nostril slightly drawn
back, the stern resolution of the knitted brow, without tracing signs
of pride unbroken, stormy feelings and passions unsubdued, and an iron
will, which, according as it might be directed, must prove all-powerful
for good or evil. His hair, which he wore somewhat long, was, like his
mother’s, of that jet black colour characteristic of the inhabitants
of a southern clime rather than of the descendants of the fair-haired
Saxons, while a soft down of the same dark hue as his clustering curls
fringed the sides of his face, affording promise of a goodly crop of
whiskers. Despite the differences of feature and expression,--and they
were great,--there was a decided resemblance between the brother
and sister, and the same indescribable charm, which made it next to
impossible to watch Rose Arundel without loving her, shed its sunshine
also over Lewis’s face when he smiled.
After surveying her son attentively, with eyes which sparkled with
surprise and pleasure, Mrs. Arundel exclaimed, “Why, how the boy is
altered! Is he not improved, Rose?” As she spoke, she involuntarily
glanced from Lewis to the picture under which he stood. It was a
half-length portrait of a young man, in what appeared to be some foreign
uniform, the hand resting on the hilt of a cavalry sabre. The features,
though scarcely so handsome, were strikingly like those of Lewis
Arundel, the greatest difference being in the expression, which was more
joyous, and that the hair in the portrait was of a rich brown instead
of black. After comparing the two for a moment, Mrs Arundel attempted
to speak, but her voice failing from emotion, she burst into tears, and
hastily left the room.
“Why, Rose, what is it?” exclaimed Lewis in surprise; “is my mother
ill?”
“No; it is your likeness to that picture, Lewis love, that has overcome
her: you know it is a portrait of our dearest father” (her voice
faltered as she pronounced his name), “taken just after they were
married, I believe.”
Public-domain text, read in full here on John Shaqi.
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