There is an account of a singer and his wife who were to sing a number of humorous couplets at a restaurant in Leipsic. The wife made her appearance there at the appointed hour, but, owing to the unexplained absence of her husband, she was compelled to amuse the visitors by singing couplets alone. While her droll performance was eliciting shouts of laughter, her husband hung himself in the court-yard of the restaurant. Some one said to Dr. Johnson that it seemed strange that he, who so often delighted his company by his lively conversation, should say he was miserable. "Alas! it is all outside," replied the sage; "I may be cracking my joke and cursing the sun: sun, how I hate thy beams!" "Are we to think Pope was happy," said he, on another occasion, "because he says so in his writings? We see in his writings what he wished the state of his mind to appear. Dr. Young, who pined for preferment, talks with contempt of it in his writings, and affects to despise everything he did not despise." The author of John Gilpin said of himself and his humorous poetry, "Strange as it may seem, the most ludicrous lines I ever wrote have been when in the saddest mood, and but for that saddest mood, perhaps, would never have been written at all." Sir Walter Scott, in the height of his ill-fortune, was ever giving vent in his diary or elsewhere to some whimsical outburst or humorous sally, and after an extra gay entry in his journal just before leaving his dingy Edinburgh lodgings for Abbotsford, he follows it up next day with this bit of self-portraiture: "Anybody would think from the fal-de-ral conclusion of my journal of yesterday that I left town in a very good humor. But nature has given me a kind of buoyancy--I know not what to call it--that mingles with my deepest afflictions and most gloomy hours. I have a secret pride--I fancy it will be most truly termed--which impels me to mix with my distress strange snatches of mirth which have no mirth in them." The Grand Duke of Weimar, entertaining an American author at his table, spoke of Poe, whose poem of The Raven he had never heard of until the evening previous. "The conception is terrible," he said. "Of course the Raven can only symbolize Despair, and he makes it perch upon the bust of Pallas, as if Despair even broods over Wisdom."