The Chronicle of Lueneburg, says Heine, "records that during the year
1480 there were whistled and sung throughout all Germany certain songs,
which for sweetness and tenderness surpassed any previously known in
German realms. Young and old, and the women in particular, were quite
bewitched by these ballads, which might be heard the livelong day. But
these songs, so the chronicle goes on to say, were composed by a young
priest who was afflicted with leprosy and lived a forlorn, solitary
life, secluded from all the world. You are surely aware, gentle reader,
what a horrible disease was leprosy during the Middle Ages, and how the
wretched beings afflicted with this incurable malady were driven out
from all society, and from the abodes of men, and were forbidden to
approach any human being. Living corpses, they wandered to and fro,
muffled from head to foot, a hood drawn over the face, and carrying in
the hand a bell, the Lazarus-bell, as it was called, through which they
were to give timely warning of their approach, so that every one could
avoid their path. The poor priest, whose fame as a lyric poet the
chronicle praised so highly, was such a leper; and while all Germany,
shouting and jubilant, sang and whistled his songs, he, a wretched
outcast, in the desolation of his misery sat sorrowful and alone."
"There have been times in my life," said Goethe, "when I have fallen
asleep in tears; but in my dreams the most charming forms have come to
console and to cheer me."
After Scott began the Bride of Lammermoor, he had one of his terrible
seizures of cramp, yet during his torment he dictated that fine novel;
and when he rose from his bed, and the published book was placed in his
hands, "he did not," James Ballantyne explicitly assured Lockhart,
"recollect one single incident, character, or conversation it
contained."
Jean Paul wrote a great part of his comic romance (Nicholas Margraf) in
an agony of heart-break from the death of his promising son Max. He
could not, one of his biographers says, bear the sight of any book his
son had touched; and the word philology (the science in which Max
excelled) went through his heart like a bolt of ice. He had such
wonderful power over himself as to go on with his comic romance while
his eyes continually dropped tears. He wept so much in secret that his
eyes became impaired, and he trembled for the total loss of sight. Wine,
that had previously, after long sustained labor, been a cordial to him,
he could not bear to touch; and after employing the morning in writing,
he spent the whole afternoon lying on the sofa in his wife's apartment,
his head supported by her arm.
Public-domain text, read in full here on John Shaqi.
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