But, my sister, what shall we do?" After having well turned it over, "My
sister," replied the other, "This is what we must do--we must make our
servants fast." When Moore's Life of Byron first appeared, it was in two
large, quarto volumes, and the first came out alone. Murray told Leslie
that a lady said to him, "I hear it is dull;" and he told her the
scandal was all to be in the second volume. "And is the second volume to
be had separately?" asked the lady. I was once, says a writer, passing
through Moorfields, with a young girl, aged about nine or ten years,
born and educated in Portugal, but in the Protestant faith; and,
observing a large concourse of people assembled around a pile of fagots
on fire, I expressed a curiosity to know the cause. She very composedly
answered, "I suppose that it is nothing more than that they are going
to burn a Jew." Isabella the Catholic was wont to rejoice and give
thanks at the sight of a gallows with a man hanging therefrom. Charlotte
Cushman related an incident that occurred at a theatre. A man in the
gallery made such a disturbance that the play could not proceed. Cries
of "Throw him over," arose from all parts of the house, and the noise
became furious. All was tumultuous chaos until a sweet and gentle female
voice was heard in the pit, exclaiming, "No! I pray you don't throw him
over! I beg of you, dear friends, don't throw him over, but--kill him
where he is." It is recorded that after the massacre of St. Bartholomew
the ladies of the court of Paris went out to examine the long row of the
bodies of the Huguenot cavaliers who had been slain during the tumult,
and curiously turning them over, when half-stripped of their garments,
said to each other, "This must have been a charming lover; that was not
worth looking at;" and when a fanatic assassin was brought out in the
square of the Louvre to undergo during four hours the most frightful
tortures which human ingenuity or malignity could devise, or the human
frame endure, all the ladies of the court assembled to witness the
spectacle, and paid high prices for seats nearest the scene of agony. In
the Conciergerie, during the Reign of Terror, a corridor was common in
the day-time to both sexes, and here, it is stated, there was as much
dressing, talking, flirting, and love-making as in the salons of Paris.
Most of the women contrived to change their dress three times a day,
though in the interval they had often to wash or mend the garment they
were about to put on. The tone of conversation was gay and animated, and
the people seemed bent on proving that though the Reign of Terror might
imprison and kill them, it could not make them dull or disagreeable.
Public-domain text, read in full here on John Shaqi.
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