Tertullian, according to Lecky, had written a treatise dissuading the
Christians of his day from frequenting the public spectacles. He had
collected on the subject many arguments, some of them very powerful, and
others extremely grotesque; but he perceived that to make his
exhortations forcible to the majority of his readers, he must point them
to some counter-attraction. He accordingly proceeded--and his style
assumed a richer glow and a more impetuous eloquence as he rose to the
congenial theme--to tell them that a spectacle was reserved for them, so
fascinating and so attractive that the most joyous festivals of earth
faded in insignificance by the comparison. That spectacle was the
agonies of their fellow-countrymen as they writhe amid the torments of
hell. "What!" he exclaimed, "shall be the magnitude of that scene! How
shall I wonder! How shall I laugh! How shall I rejoice! How shall I
triumph, when I behold so many and such illustrious kings, who were said
to have mounted into heaven, groaning with Jupiter their god in the
lowest darkness of hell! Then shall the soldiers who had persecuted the
name of Christ burn in more cruel fire than any they had kindled for the
saints. Then shall the tragedians pour forth in their own misfortune
more piteous cries than those with which they had made the theatre to
resound, while the comedian's powers shall be better seen as he becomes
more flexible by the heat. Then shall the driver of the circus stand
forth to view, all blushing in his flaming chariot, and the gladiators
pierced, not by spears, but by darts of fire. Compared with such
spectacles, with such subjects of triumph as these, what can praetor or
consul, quaestor or pontiff, afford? And even now faith can bring them
near, imagination can depict them as present!"
Crabb Robinson says some one at a party at which he was present, abusing
Mahometanism in a commonplace way, said: "Its heaven is quite material."
He was met with the quiet remark, "So is the Christian's hell;" to which
there was no reply. In the time of Tertullian, the angel in the Last
Judgment was constantly represented weighing the souls in a literal
balance, while devils clinging to the scales endeavored to disturb the
equilibrium. The redbreast, according to one popular legend, was
commissioned by the Deity to carry a drop of water to the souls of
unbaptized infants in hell, and its breast was singed in piercing the
flames. In Wales, the robin is said to bear in its bill one drop of
water daily to the place of torment, in order to extinguish the flames.
Public-domain text, read in full here on John Shaqi.
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