Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“I don’t know as I do. We’ve never had any body before.”
The stranger relaxed the frown he had put on at the greed of her
suggestion; it might have come from ignorance or mere innocence, “I’m
in the habit of paying five dollars for farm board, where I stayed
several weeks. What do you say to seven for a single week?”
“I guess that’ll do,” said the woman, and she went out with the pie,
which she had kept in her hand.
* * * * *
IMPRESSIONS ON VISITING POMPEII.¹
FROM “ITALIAN JOURNEYS.” 1867.
¹ Copyright, Houghton, Mifflin & Co.
THE cotton whitens over two-thirds of Pompeii yet interred: happy the
generation that lives to learn the wondrous secrets of that sepulchre!
For, when you have once been at Pompeii, this phantasm of the past
takes deeper hold on your imagination than any living city, and
becomes and is the metropolis of your dream-land forever. O marvellous
city! who shall reveal the cunning of your spell? Something not
death, something not life,――something that is the one when you turn
to determine its essence as the other! What is it comes to me at
this distance of that which I saw in Pompeii? The narrow and curving,
but not crooked streets, with the blazing sun of that Neapolitan
November falling into them, or clouding their wheel-worn lava with
the black, black shadows of the many-tinted walls; the houses, and
the gay columns of white, yellow, and red; the delicate pavements of
mosaic; the skeletons of dusty cisterns and dead fountains; inanimate
garden-spaces with pygmy statues suited to their littleness; suites of
fairy bed-chambers, painted with exquisite frescos; dining-halls with
joyous scenes of hunt and banquet on their walls; the ruinous sites
of temples; the melancholy emptiness of booths and shops and jolly
drinking-houses; the lonesome tragic theatre, with a modern Pompeian
drawing water from a well there; the baths with their roofs perfect
yet, and the stucco bass-reliefs all but unharmed; around the whole,
the city wall crowned with slender poplars; outside the gates, the
long avenue of tombs, and the Appian Way stretching on to Stabiæ;
and, in the distance, Vesuvius, brown and bare, with his fiery breath
scarce visible against the cloudless heaven; these are the things that
float before my fancy as I turn back to look at myself walking those
enchanted streets, and to wonder if I could ever have been so blest.
For there is nothing on the earth, or under it, like Pompeii....
THE HOUSES OF POMPEII AND THEIR PAINTED WALLS.
_From “Italian Journeys.”_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account