Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
THE table was set for him alone, and it affected him as if the
family had been hurried away from it that he might have it to himself.
Everything was very simple; the iron forks had two prongs; the knives
bone handles; the dull glass was pressed; the heavy plates and cups
were white, but so was the cloth, and all were clean. The woman
brought in a good boiled dinner of corned beef, potatoes, turnips
and carrots, from the kitchen, and a teapot, and said something about
having kept them hot on the stove for him; she brought him a plate of
biscuit fresh from the oven; then she said to the boy, “You come out
and have your dinner with me, Jeff,” and left the guest to make his
meal unmolested.
The room was square, with two north windows that looked down the lane
he had climbed to the house. An open door led into the kitchen in
an ell, and a closed door opposite probably gave access to a parlor
or a ground-floor chamber. The windows were darkened down to the
lower sash by green paper shades; the walls were papered in a pattern
of brown roses; over the chimney hung a large picture, a life-size
pencil-drawing of two little girls, one slightly older and slightly
larger than the other, each with round eyes and precise ringlets, and
with her hand clasped in the other’s hand.
The guest seemed helpless to take his gaze from it, and he sat fallen
back in his chair gazing at it, when the woman came in with a pie.
“Thank you, I believe I don’t want any dessert,” he said. “The fact is,
the dinner was so good that I haven’t left any room for pie. Are those
your children?”
“Yes,” said the woman, looking up at the picture with the pie in her
hand. “They’re the last two I lost.”
“Oh, excuse me!” the guest began.
“It’s the way they appear in the spirit life. It’s a spirit picture.”
“Oh! I thought there was something strange about it.”
“Well, it’s a good deal like the photographs we had taken about a year
before they died. It’s a good likeness. They say they don’t change a
great deal, at first.”
She seemed to refer the point to him for his judgment; but he answered
wide of it:
“I came up here to paint your mountain, if you don’t mind, Mrs.
Durgin――Lion’s Head, I mean.”
“Oh, yes. Well I don’t know as we could stop you, if you wanted to
take it away.” A spare glimmer lighted up her face.
The painter rejoined in kind. “The town might have something to say,
I suppose.”
“Not if you was to leave a good piece of intervale in place of it.
We’ve got mountains to spare.”
“Well, then, that’s arranged. What about a week’s board?”
“I guess you can stay, if you’re satisfied.”
“I’ll be satisfied if I can stay. How much do you want?”
The woman looked down, probably with an inward anxiety between the
fear of asking too much and the folly of asking too little. She said,
tentatively, “Some of the folks that come over from the hotels say
they pay as much as twenty dollars a week.”
“But you don’t expect hotel prices?”
Public-domain text, read in full here on John Shaqi.
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