Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
companion volume to this is “Among the Camps or Young People’s Stories
of the War.”
♦ ‘colaboration’ replaced with ‘collaboration’
Mr. Page has been a frequent contributor to the current magazines for
many years, and has also lectured extensively throughout the country.
In 1897 he went abroad for a tour of England and the Continent of
Europe. It is announced that on his return he will issue a new novel
which we understand, he has been engaged upon for some time and
expects to make the most pretentious work of his life up to this date.
* * * * *
OLD SUE.¹
(FROM “PASTIME STORIES.”)
¹ Copyright, Harper & Bros.
JUST on the other side of Ninth Street, outside of my office window,
was the stand of Old Sue, the “tug-mule” that pulled the green car
around the curve from Main Street to Ninth and up the hill to Broad.
Between her and the young bow-legged negro that hitched her on,
drove her up, and brought her back down the hill for the next car,
there always existed a peculiar friendship. He used to hold long
conversations with her, generally upbraiding her in that complaining
tone with opprobrious terms which the negroes employ, which she used
to take meekly. At times he petted her with his arm around her neck,
or teased her, punching her in the ribs and walking about around her
quarters, ostentatiously disregardful of her switching stump of a tail,
backed ears, and uplifted foot, and threatening her with all sorts of
direful punishment if she “jis dyarred to tetch” him.
“Kick me――heah, kick me; I jis dyah you to lay you’ foot ’g’inst me,”
he would say, standing defiantly against her as she appeared about to
let fly at him. Then he would seize her with a guffaw. Or at times,
coming down the hill, he would “hall off” and hit her, and “take out”
with her at his heels her long furry ears backed, and her mouth wide
open as if she would tear him to pieces; and just as she nearly caught
him he would come to a stand and wheel around, and she would stop dead,
and then walk on by him as sedately as if she were in a harrow. In
all the years of their association she never failed him; and she never
failed to fling herself on the collar, rounding the sharp curve at
Ninth, and to get the car up the difficult turn.
Public-domain text, read in full here on John Shaqi.
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