Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Last fall, however, the road passed into new hands, and the management
changed the old mules on the line, and put on a lot of new and green
horses. It happened to be a dreary, rainy day in November when the
first new team was put in. They came along about three o’clock. Old
Sue had been standing out in the pouring rain all day with her head
bowed, and her stubby tail tucked in, and her black back dripping.
She had never failed nor faltered. The tug-boy in an old rubber suit
and battered tarpauling hat, had been out also, his coat shining with
the wet. He and old Sue appeared to mind it astonishingly little. The
gutters were running brimming full, and the cobble-stones were wet and
slippery. The street cars were crowded inside and out, the wretched
people on the platforms vainly trying to shield themselves with
umbrellas held sideways. It was late in the afternoon when I first
observed that there was trouble at the corner. I thought at first that
there was an accident, but soon found that it was due to a pair of
new, balking horses in a car. Old Sue was hitched to the tug, and was
doing her part faithfully; finally she threw her weight on the collar,
and by sheer strength bodily dragged the car, horses and all, around
the curve and on up the straight track, until the horses, finding
themselves moving, went off with a rush, I saw the tug-boy shake his
head with pride, and heard him give a whoop of triumph. The next car
went up all right; but the next had a new team, and the same thing
occurred. The streets were like glass; the new horses got to slipping
and balking, and old Sue had to drag them up as she did before. From
this time it went from bad to worse: the rain changed to sleet, and
the curve at Ninth became a stalling-place for every car. Finally,
just at dark, there was a block there, and the cars piled up. I
intended to have taken a car on my way home, but finding it stalled,
I stepped into my friend Polk Miller’s drug-store, just on the corner,
to get a cigar and to keep warm. I could see through the blurred
glass of the door the commotion going on just outside, and could
hear the shouts of the driver and of the tug-boy mingled with the
clatter of horses’ feet as they reared and jumped, and the cracks of
the tug-boy’s whip as he called to Sue, “Git up, Sue, git up, Sue.”
Presently, I heard a shout, and then the tones changed, and things
got quiet.
A minute afterwards the door slowly opened, and the tug-boy came in
limping, his old hat pushed back on his head, and one leg of his wet
trousers rolled up to his knee, showing about four inches of black,
ashy skin, which he leaned over and rubbed as he walked. His wet face
wore a scowl, half pain, half anger. “Mist’ Miller, kin I use you’
telephone?” he asked, surlily. (The company had the privilege of using
it by courtesy.)
“Yes; there ’tis.”
He limped up, and still rubbing his leg with one hand, took the ’phone
off the hook with the other and put it to his ear.
Public-domain text, read in full here on John Shaqi.
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