Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“Hello, central――hello! Please gimme fo’ hund’ an’ sebenty-three on
three sixt’-fo’――fo’ hund’ an’ sebent’-three on three sixt’-fo’.
“Hello! Suh? Yas, suh; fo’ hund’ an’ sebent’-three on three sixt’-fo’.
_Street-car stables_ on three sixt’-fo’. Hello! Hello! Hello! Dat you,
streetcar stables? Hello! Yas. Who dat? Oh! Dat you, Mist’ Mellerdin?
Yas, suh; yes, suh; Jim; _Jim_; dis Jim. G-i-m, Jim. Yas, suh;
whar drive Ole Sue, in Mist’ Polk Miller’ drug-sto’――. Yas, suh.
‘Matter’?――Ole Sue――she done tu’n fool; done gone ’stracted. I can’t
do nuttin’ ’tall wid her. She ain’ got no sense. She oon pull a poun’.
Suh? Yas, suh. Nor, suh. Yas, suh. Nor, suh; I done try ev’ything. I
done beg her, done cuss her, done whup her mos’ to death. She ain’
got no reasonment. She oon do nuttin’. She done haul off, an’ leetle
mo’ knock my brains out; she done kick me right ’pon meh laig――’pon my
right laig.” (He stooped over and rubbed it again at the reflection.)
“Done bark it all up. Suh? Yas, suh. Tell nine o’clock? Yas,
suh; reckon so; ’ll try it leetle longer. Yas, suh; yas, suh.
Good-night――good-bye!”
He hung the ’phone back on the hook, stooped and rolled down the leg
of his breeches. “Thankee, Mist’ Miller! Good-night.”
He walked to the door, and opened it. As he passed slowly out, without
turning his head, he said, as if to himself, but to be heard by us,
“I wish I had a hundred an’ twenty-five dollars. I boun’ I’d buy dat
durned ole mule, an’ cut her dog-goned th’oat.”
Illustration: (‡ decoration)
Illustration: (‡ decoration)
EDWARD PAYSON ROE.
AUTHOR OF “BARRIERS BURNED AWAY.”
MR. ROE is not considered as one of the strongest of American
novelists; but that he was one of the most popular among the masses
of the people, from 1875 to the time of his death, goes without
saying. His novels were of a religious character, and while they were
doubtless lacking in the higher arts of the fictionist, he invariably
told an interesting story and pointed a healthy moral. “Barriers
Burned Away” is, perhaps, his best novel, and it has been declared
by certain critics to be at once one of the most vivid portrayals and
correct pictures of the great Chicago fire that occurred in 1871 which
has up to this time been written.
Edward Payson Roe was born at New Windsor, New York, in 1838, and died,
when fifty years of age, at Cornwall, the same State, in 1888. He was
being educated at Williams College, but had to leave before graduating
owing to an affection of the eyes. In consequence of his literary
work, however, the college in after years gave him the degree of
A. B. In 1862, he volunteered his services in the army and served as
chaplain throughout the Civil War. From 1865 to 1874 he was pastor
of the Presbyterian Church at Highland Falls, New York. In 1874 he
resigned his pastorate, and, to the time of his death, gave himself
to literature and to the cultivation of a small fruit farm.
Public-domain text, read in full here on John Shaqi.
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