Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“I know exactly what I would do with it,” said Doris. “It is my
inheritance, and I would take that ship and make our fortunes. I would
begin in a humble way just as people begin in other businesses. I
would carry hay, codfish, ice, anything, from one port to another.
And when I had made a little money in this way I would sail away to
the Orient and come back loaded with rich stuffs and spices.”
“Did the people who sailed the ship before do that?” I asked.
“I have not the slightest doubt of it,” she answered; “and they ran
away with the proceeds. I do not know that you can feel as I do,”
she continued. “The _Merry Chanter_ is mine. It is my all. For years
I have looked forward to what it might bring me. It has brought me
nothing but a debt, but I feel that it can be made to do better than
that, and my soul is on fire to make it do better.”
It is not difficult to agree with a girl who looks as this one looked
and who speaks as this one spoke.
“Doris,” I exclaimed, “if you go into that sort of thing I go with you.
I will set the _Merry Chanter_ free.”
“How can you do it?” she cried.
“Doris,” I said, “hear me. Let us be cool and practical.”
“I think neither of us is very cool,” she said, “and perhaps not very
practical. But go on.”
“I can pay this bill,” I said, “but in doing it I shall abandon all
hope of continuing what I have chosen as my life work; the career
which I have marked out for myself will be ended. Would you advise
me to do this? And if I did it would you marry me now with nothing
to rely upon but our little incomes and what we could make from your
ship? Now, do not be hasty. Think seriously, and tell me what you
would advise me to do.”
She answered instantly, “Take me, and the _Merry Chanter_.”
I gave up my career.
Illustration: (‡ decoration)
Illustration: (‡ decoration)
EDWARD BELLAMY.
THE AUTHOR OF “LOOKING BACKWARD.”
THE most remarkable sensation created by any recent American author
was perhaps awakened by Edward Bellamy’s famous book, “Looking
Backward,” of which over a half million copies have been sold in this
country alone, and more than as many more on the other side of the
Atlantic. This book was issued from the press in 1887, and maintained
for several years an average sale of 100,000 copies per year in
America alone. In 1897 a demand for sociological literature in England
called for the printing of a quarter of a million copies in that
country within the space of a few months, and the work has been
translated into the languages of almost every civilized country on
the earth. Its entire sale throughout the world is probably beyond
two million copies.
Public-domain text, read in full here on John Shaqi.
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