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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“Because it isn’t,” she answered. “The rest is a great deal worse. The
whole affair is a doleful failure. I had a letter to-day from Mooseley,
a little town on the sea-coast. The _Merry Chanter_ came back there
three years ago with nothing in it. What has become of what it carried
out, or what it ought to have brought back, nobody seems to know. The
captain and the crew left it the day after its arrival at Mooseley.
Why they went away, or what they took with them, I have not heard,
but a man named Asa Cantling writes me that the _Merry Chanter_ has
been lying at his wharf for three years; that he wants to be paid the
wharfage that is due him; and that for a long time he has been trying
to find out to whom the ship belongs. At last he has discovered that
I am the sole owner, and he sends to me his bill for wharfage, stating
that he believes it now amounts to more than the vessel is worth.”
“Absurd!” I cried. “Any vessel must be worth more than its wharfage
rates for three years. This man must be imposing upon you.”
Doris did not answer. She was looking drearily out of the window at
the moonlighted landscape. Her heart and her fate had come together,
and they did not appear to suit each other.
I sat silent, also, reflecting. I looked at the bill which she had
handed to me, and then I reflected again, gazing out of the window at
the moonlighted landscape.
It so happened that I then had on hand a sum of money equal to the
amount of this bill, which amount was made up not only of wharfage
rates, but of other expenses connected with the long stay of the
vessel at Asa Cantling’s wharf.
My little store of money was the result of months of savings and a
good deal of personal self-denial. Every cent of it had its mission
in one part of the world or another. It was intended solely to carry
on the work of my life, my battle for fortune. It was to show me, in
a wider and more thorough manner than had ever been possible before,
what chance there was for my finding the key which should unlock for
me the treasures in the storehouse of the earth.
I thought for a few minutes longer, and then I said, “Doris, if you
should pay this bill and redeem the vessel, what good would you gain?”
She turned quickly towards me. “I should gain a great deal of good,”
she said. “In the first place I should be relieved of a soul-chilling
debt. Isn’t that a good? And of a debt, too, which grows heavier every
day. Mr. Cantling writes that it will be difficult to sell the ship,
for it is not the sort that the people thereabout want. And if he
breaks it up he will not get half the amount of his bill. And so there
it must stay, piling wharfage on wharfage, and all sorts of other
expenses on those that have gone before, until I become the leading
woman bankrupt of the world.”
“But if you paid the money and took the ship,” I asked, “what would
you do with it?”
Public-domain text, read in full here on John Shaqi.
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