Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
The year 1850 is memorable in the history of the conflict with slavery.
It was the year of Clay’s compromise measures, as they were called,
which sought to satisfy the North by the admission of California as
a free State, and to propitiate the South by the notorious “Fugitive
Slave Law.” The slave power was at its height, and seemed to hold all
things under its feet; yet in truth it had entered upon the last stage
of its existence, and the forces were fast gathering for its final
overthrow. Professor Cairnes and others said truly, “The Fugitive
Slave Law has been to the slave power a questionable gain. Among its
first fruits was ‘Uncle Tom’s Cabin.’”
The story was begun as a serial in the _National Era_, June 5, 1851,
and was announced to run for about three months, but it was not
completed in that paper until April 1, 1852. It had been contemplated
as a mere magazine tale of perhaps a dozen chapters, but once begun it
could no more be controlled than the waters of the swollen Mississippi,
bursting through a crevasse in its levees. The intense interest
excited by the story, the demands made upon the author for more facts,
the unmeasured words of encouragement to keep on in her good work that
poured in from all sides, and, above all, the ever-growing conviction
that she had been intrusted with a great and holy mission, compelled
her to keep on until the humble tale had assumed the proportions of
a large volume. Mrs. Stowe repeatedly said, “I could not control the
story, it wrote itself;” and, “I the author of ‘Uncle Tom’s Cabin’?
No, indeed. The Lord himself wrote it, and I was but the humblest of
instruments in his hand. To him alone should be given all the praise.”
For the story as a serial the author received $300. In the meantime,
however, it had attracted the attention of Mr. John P. Jewett, a
Boston publisher, who promptly made overtures for its publication in
book form. He offered Mr. and Mrs. Stowe a half share in the profits,
provided they would share with him the expense of publication. This
was refused by the Professor, who said he was altogether too poor
to assume any such risk; and the agreement finally made was that the
author should receive a ten per cent. royalty upon all sales.
Public-domain text, read in full here on John Shaqi.
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